Jurassic World: Fallen Kingdom (2018, dir. J. A. Bayona)

A mission to rescue dinosaurs from Isla Nublar turns out to be a double-cross. Awkward sequel which doesn’t make a lick of sense, being a string of chase and rescue set-pieces stitched together; the third act is the best, with a horror movie feel to it.

The Equalizer 2 (2018, dir. Antoine Fuqua)

McCall vows to take revenge on the rogue CIA element who killed his friend. Clunky sequel that struggles to find meaningful things for its protagonist to do. One of those series entries that has to invent new backstory to make its plot-points stick. Kinda disappointing.

The First Purge (2018, dir. Gerard McMurray)

Staten Island is chosen as a Purge trial zone; residents have to fight to survive the night. Effective prequel (and fourth in the series), upping the social commentary and overtly satiric elements while drawing also on blaxploitation and action/horror tropes. Perhaps the best in the series yet.

BlacKkKlansman (2018, dir. Spike Lee)

A black policeman goes undercover to investigate the Klan. Hugely impressive true story, expertly linking the early 70s with the contemporary USA. Highly recommended, with great playing from its leads.

2.22 (2017, dir. Paul Currie)

An air traffic controller starts to believe that the same events are repeating themselves as a warning from the past. A love story with bits of Groundhog Day, Pushing Tin and 12 Monkeys thrown in; the complex backstory and the resolution don’t work.