Colossal (2016, dir. Nacho Vigalondo)

A woman returns home after a breakup and finds she can control a monster. Splendidly quirky black comedy about alcoholism, obsession, and childhood friendships. Oh, and kaiju. Well worth your time.

Pirates of the Caribbean: Salazar’s Revenge (AKA Pirates of the Caribbean: Dead Men Tell No Tales) (2017, dir. Joachim Ronning & Espen Sandberg)

Jack Sparrow is hunted down by an old ghostly enemy. The fifth entry in the series is tedious in the extreme, a laboured and unfunny recycling of story elements from previous episodes, with a plainly bored cast of veterans. Time to lay these bones to rest.

Wonder Woman (2017, dir. Patty Jenkins)

An Amazon princess journeys to the outside world to defeat the God of War. Superior superhero origin story, benefitting from freshness of its lead character, a generally light touch, and a well-realised World War 1 period setting.

Raiders of the Lost Ark (1981, dir. Steven Spielberg)

An American archaeologist races Nazis to a mystical artefact. Peerless action-adventure, expertly balancing thrills, romance, danger, comic moments, old-school stunt work and still-impressive visual effects. Still the state of this particular art.

Return of the Jedi (1983, dir. Richard Marquand)

The Rebel Alliance battles another Death Star. The last part of the original trilogy works hard to include something for everyone (all points from slavery to teddy bears) as well as to wrap up its soap-opera character arcs. For fans only, tho,