Pan (2015, dir. Joe Wright)

A prequel of sorts to JM Barrie’s Peter Pan. And not a very good one either. Some interesting production design, but that’s about it. A poor script, misjudged performances, and evidence of a post-production salvage attempt. A disappointment.

Always (1989, dir. Steven Spielberg)

A dead pilot returns to allow his former partner to move on with her life. A patchy and sentimental piece (remaking 1943’s A Guy Named Joe), happier in its flying, comic and firefighting action sequences than with the emotional scenes; some pleasures to be had, tho.

Moana (2016, dir. Ron Clements, John Musker, Don Hall, Chris Williams)

A Polynesian clan-leader’s daughter escapes her island home to prevent a terrible prophecy. Supremely confident quest narrative; a focused and involving animation with huge attention to story, action, and character detail. Recommended.

Doctor Strange (2016, dir. Scott Derrickson)

A vain medic discovers new powers after searching for a cure for lost surgical skills. Satisfactory origin story which suffers from having its source material plundered by other popcult properties, tho gets revenge by borrowing world-bending imagery from Inception.

Fancy a second opinion? Here’s Lemonsquirtle’s take.

Phantasm (1979, dir. Don Coscarelli)

A funeral home turns out to be a portal to another dimension. Hugely enjoyable horror/fantasy with elements of Argento and its own distinctive dream logic. Defiantly odd, and with moments of genuine weirdness, plus effective scares.

Indiana Jones and The Last Crusade (1989, dir. Steven Spielberg)

Jones goes in search of his lost father, and the Holy Grail. The third Jones adventure is a sparkling comedy with heaps of good set-pieces and a tongue-in-cheek sensibility. Some iffy early CG and plotting aside, this is rip-roaring stuff, though the lightest in the series.

Okja (2017, dir. Joon-ho Bong)

A South Korean girl fights to keep her pet super-pig from the hands of a multinational corporation. Utterly enthralling ET/Pete’s Dragon variant for adults, drawing on Gilliam, Jeunet et Caro, early Besson, Buster Keaton and Studio Ghibli, yet is an original too.