Bird Box (2018, dir. Suzanne Bier)

After an apocalyptic event, a woman battles to get her two children to safety. Initially interesting though ultimately very straightforward survival yarn with some good supporting performances.

And here’s Xussia’s review.

 

Rampage (2018, dir. Brad Peyton)

A zoologist and a renegade scientist team up to stop genetically-enhanced animals rampaging. Perfunctory and slightly po-faced monster mayhem, with only Jeffrey Dean Morgan’s man in black entering properly into the tongue-in-cheek fray.

Deadpool 2 (2018, dir. David Leitch)

After the death of his girlfriend, Deadpool finds redemption in protecting a young mutant. Confident sequel with the same approach as before, mixing cartoony violence, baroque language and metatextual gags.

It’s A Wonderful Life (1946, dir. Frank Capra)

A suicidal man is shown there’s hope by an angel-in-training. Peerless Christmas fantasy riffing on A Christmas Carol. Just about note-perfect throughout.

A Christmas Carol (1984, dir. Clive Donner)

A ruthless businessman is reminded of the meaning of Christmas by a series of ghosts. Sturdy version of the Dickens classic anchored by an unusual central performance – Scrooge somewhat more sympathetic than usual – and by a solid cast of familiar faces.

Ready Player One (2018, dir. Steven Spielberg)

A teenager battles an evil corporation in a quest to control a virtual reality game-world. Sporadically spectacular but narratively dull SF adventure which improves on the source novel but still lapses into pop-culture reference tickbox territory at its lamest.

The Christmas Chronicles (2018, dir. Clay Kaytis)

After setting a trap to catch Santa, two squabbling siblings have to help him save Christmas. Patchy Yuletide offering with few surprises. Russell does what he can with an indifferent script, but this is no classic.