Highlander (1986, dir. Russell Mucalhy)

Immortal warriors battle across time; matters come to a head in contemporary New York. Daft but entertaining SF/fantasy hybrid, with decent performances, flashy direction and now-quaint visual effects. As 80s as it gets.

Resident Evil: The Last Chapter (2016, dir. Paul WS Anderson)

Alice returns to Racoon City to face down Dr Isaacs, lured by the promise of a vaccine to the T-Virus. The sixth instalment of this midlist franchise is surprisingly feisty, with bags of action and some good lines. For fans only, maybe, but they won’t be disappointed.

World War Z (2013, dir. Marc Forster)

A UN investigator tracks a zombie virus to its source. The z-movie as big-budget spectacular; not quite action-adventure, not quite horror. A series of linked set-pieces, and not bad, though not for fans demanding a faithful adaptation of its source novel.

King Arthur: Legend of the Sword (2017, dir. Guy Ritchie)

A fantasy-oriented retelling. The second act is fine swashbuckling nonsense, but this version is stuck with lumpen first and third acts which set up unnecessarily complex (and irrelevant) backstory. Still, some fun to be had, and there’s one very neat idea about Excalibur.

The Dark Tower (2017, dir. Nikolaj Arcel)

A fatherless boy is hunted as both the potential saviour and destructor of the multiverse. Impressively-designed and well shot, this is nevertheless an oddly perfunctory and rushed movie, cherrypicking 90 minutes of action from the Stephen King fantasy cycle.

Fancy another point of view? Here’s Lemonsquirtle’s review.

Ghostbusters II (1989, dir. Ivan Reitman)

The Ghostbusters have to reunite to battle another supernatural threat to New York. As much a remake of the 1984 original as a sequel, this passable reprise lacks the first film’s freshness, but has a few good lines and performances nevertheless.

Star Wars: The Last Jedi [AKA Episode VIII: The Last Jedi] (2017, dir. Rian Johnson)

The last remnants of the rebellion flee the First Order. Superior eighth instalment of the space opera, daring to ring a few changes on the template re-established by its predecessors while bringing new characters further to the fore.

Other opinions? Here’s Lemonsquirtle’s, and here’s Xussia’s.