The Russells and others fight the emerging Titans; and work to support Godzilla. Decent if slightly over-serious continuation of the 2014 rebooted cycle with a canny cast of character actors and a genuine sense of the spectacular. Light on story, but heavy on Kyle Chandler reaction shots, plus monster-fu aplenty.
A Serbian woman in New York fears she cannot love because of an ancient curse. Tremendous noir/horror hybrid, taking inspiration from werewolf archetypes. Huge amounts of fun, breathtaking in its economy, and with some great suspense set-pieces. Highly recommended. A sequel – The Curse of the Cat People – followed in 1944.
Hellboy battles an ancient sorceress from Arthurian legend. Famously-troubled shooting and post-production bedevilled this fantasy horror series reboot, which as a consequence is all over the place. Some good stuff, but its awkward storytelling is patched with flashbacks, dubbed dialogue, variable FX, overlength; the works. A shame.
A mean TV executive is visited by a series of ghosts intent on teaching him the true meaning of Christmas. A raucous, overlong, and often unfunny retelling of A Christmas Carol, overly keen to cash in on its star’s links to Ghostbusters. Inevitably, some bits work nevertheless, and the film’s become something of a Yuletide perennial despite its weaknesses.
A trio of disgraced academics working on the paranormal turn to the private sector. Still-effective horror-comedy balancing New York snark, slapstick, and Lovecraftian interdimensional terror. Great city cinematography, and some lovely delicate moments to counterbalance the widescreen mayhem. Both sequel and reboot followed.
A conman psychic who can see the dead has to confront an undead serial killer. Fast, funny and inventive supernatural comedy, with a great central performance from Fox and still-effective (and then-groundbreaking) CG effects work.
A pregnant woman and her brother are lured into a field of tall grass. This expansion of the Stephen King/Joe Hill novella begins well, but unravels when fresh material is introduced. Intriguing hints in the original are under-explored, and what’s new confuses rather than deepens. A disappointment, not least from this talented writer/director.