Frozen II (2019, dir. Chris Buck & Jennifer Lee)

Elsa and Anna have to leave Arendelle to find out the secret of Elsa’s powers and their family history. Overly-complicated sequel with OK though derivative songs, and reliance on goodwill from Part I to see things through. Some good moments, but second time around, this is no classic.

Shazam! (2019, dir. David Sandberg)

A foster-child is granted superpowers which come with an adult hero persona; but a nemesis figure emerges. OK, but overlong and tonally-awkward superhero origin movie. Hampered by its Big-with-cape conceit and story uncertainty, it tries a bit of everything. Fun in the moment, tho, and some nice gags.

Harry Potter and the Deathly Hallows – Part 2 (2011, dir. David Yates)

Matters converge: a final stand at Hogwarts against Voldemort. The last part of the eight-film cycle delivers in terms of epic action sequences, resolutions for characters followed over multiple movies, and a decent coda; no real surprises, and nothing for outsiders, which is perhaps as it should be.

Harry Potter and the Deathly Hallows – Part 1 (2010, dir. David Yates)

Harry and friends, now on the run, must destroy the magical items sustaining Voldemort. The first half of the final novel – more or less – is a decent chase adventure, with a darker tone than before; the splitting of the source material allows for pacing to be improved, through the structure necessitates a forced cliffhanger bridge to Part 2.

Harry Potter and the Half-Blood Prince (2009, dir. David Yates)

Battle lines are drawn between Voldemort’s followers and others; Harry’s studies are supported by a mysterious textbook. Decent series entry, concerned with putting pieces in place for the final conflict. Not really a stand-alone movie, but series fans won’t mind that at all.

Aladdin (2019, dir. Guy Ritchie)

A street thief falls for a princess; a magic lamp offers the opportunity to win her hand. Okay-as-far-as-it-goes live-action/CG remake of the 1992 Disney animation. A couple of new songs, Will Smith brings some pizazz as the genie, and a nice magic carpet gag; otherwise this is a product rather than a movie, and feels it at times too.