Natasha Romanoff reunites with her estranged fake family to disrupt a post-Soviet Russian agent programme. Patchy Marvel SF/spy adventure (the first Phase 4 movie) awkwardly balancing dysfunctional familial bickering and action set-pieces. A strong cast helps, as does a relatively low-stakes approach and some attempts at character.
An awkward teenager and a serial killer swap bodies. Superior horror-comedy, maximising the potential of its Freaky Friday-meets-high school slasher conceit, along the lines of Landon’s earlier mashup Happy Death Day. Plenty of fun, a few straightforward though relevant points made, and zippy lead performances help no end.
A man with mental health issues finds that he is the current incarnation of an immortal, and that a war wages for Earth’s survival. Clumsy and often incoherent Highlander / The Matrix / The Old Guardwannabe for lovers of the later Fast and the Furious movies. No-one comes out of this with much dignity. Not great at all.
In an alt-America where witchcraft is both real and outlawed by the Constitution, a family works to protect witches. Somewhat awkward allegory with some strong ideas that it doesn’t quite know what to do with. Worth your time, though not for everyone: not the genre pic it first appears.
An expedition to Earth’s hollow centre searches for a power source critical to fight the Titans. Following Godzilla: King of the Monsters, this series continuation pillages everything from At The Earth’s Core to, er, The Core. Some neat moments aside, though, this is uninvolving CG monster city battle gubbins with a decent cast stranded.
An Italian mer-boy swims away from his boring undersea life to the 1950s surface, where he meets an exciting new friend. Sunny but slight animated adventure revisiting ideas done much better by Pixar elsewhere. Still, it looks great, there’s a lovely Sacha Baron Cohen voice cameo, and there’s openness to a gay reading of the central relationship, which is an interesting element.
Thorin is driven mad by gold-lust as warring factions converge on Mt Erebor. The concluding part of the prequel trilogy is pretty much for fans only by this stage, though it’s nevertheless an impressively-mounted and extravagant action fantasy.
Bilbo and Thorin’s company reach Mount Erebor via Laketown. The middle instalment of the prequel trilogy is all the better for not having to worry about set-up, though it lacks a story of its own. Still, if well-heeled fantasy spectacle is your thing, then there’s plenty to enjoy here.
A home-loving halfling is recruited for a perilous quest. Beefed-up partial adaptation of the Tolkien children’s novel so that it acts as the first part of a Lord of the Rings prequel trilogy. The quieter parts work best, though this is an acceptable if somewhat bloated action fantasy in its own right.
A warrior princess embarks on a quest to unite five fractured kingdoms and repel their collective threat. A very straightforward fantasy drawing on South East Asian design and story influences. Some pleasures in the incidentals, but this is secondhand tick-box monomyth stuff throughout.