A mute cleaner falls in love with a humanoid aquatic creature being held in a government research laboratory. Dazzlingly confident romantic fantasy with SF/horror touches. Amelie meets The Creature From The Black Lagoon with a bit of Little Voice. Highly recommended.
A small group of rebels try to steal the plans to the Death Star. Superior side mission from the Star Wars universe, answering a small plot question from the 1977 movie. By no means essential, but nevertheless rousing space opera fun, and lovingly designed.
Want another view? Here’s Xussia’s tuppenceworth.
A Predator reboot movie mess directed by Shane Black. Too many ideas, with a cast that makes no sense in an incoherent and studio ‘enhanced’ plot. Edited with garden shears, this rumbles between comedy and action, never being effective at either.
An industrial spy leaves himself clues to solve the crimes of which he’s now accused. An SF twist on a Hitchcock plot (based on a Philip K Dick story), this lumpen chase thriller gets bogged down early and doesn’t relax into what Woo – when unrestrained – does best.
A man is forced to re-evaluate his life after volunteering to be miniaturised. Quirky fantasy which can’t work out if it’s social satire, science fiction, or romance, but has a go at all three. Defiantly odd, though, which is no bad thing.
In a post-apocalypse America, a female scavenger is trapped inside her upturned vehicle by a marauding creature. Single-location thriller – with sustained flashbacks – which almost deserves its running time except for a groan-worthy and well-telegraphed climax.