Spider-Man: Into the Spider-Verse (2018, dir. Bob Persichetti, Peter Ramsey & Rodney Rothman)

Miles Morales is bitten by a radioactive spider and gains superpowers, but he’s not the only Spider-Man. Visually impressive and engaging (though overlong) comic book story that emulates the reading experience as well as offering both fan service and deconstruction. Huge fun for the most part, though.

Men in Black II [AKA MIIB] (2002, dir. Barry Sonnenfeld)

Agent J has to tea up again with Agent K to fight a new alien menace. Passable SF/comedy sequel. As with its predecessor, there’s more interest in its showy make-up effects and throwaway gags than either worldbuilding or story, tho Lara Flynn Boyle has fun as a vampish villain.

Young Frankenstein (1974, dir. Mel Brooks)

A distant relative inherits both Frankenstein’s castle and interest in reviving the dead. Splendid homage/spoof of the 1930s Universal movies, this is a broad comedy made with respect for the originals while still ticking off every gag in the undead book. Recommended.

Avengers: Endgame (2019, dir. Anthony Russo & Joe Russo)

The remaining Avengers plan an elaborate time heist to recover the infinity stones and undo the events of the recent war. Crowd-pleasing sequel/series endpoint that succeeds in narrative closure and fanservice terms. It’s TV by this stage, but impeccably done.

The Island (2005, dir. Michael Bay)

After discovering the truth about their existence, two clones escape their high-tech facility. Okay near-future (set in 2019) chase thriller that takes a while to get going, but then delivers in the kinetic style typical of its director.