Skyscraper (2018, dir. Rawson Marshall Thurber)

An ex-FBI agent turned security consultant must rescue his family from a high-tech skyscraper overrun by fire and criminals. Derivative though passable tosh, mashing up Die Hard and The Towering Inferno. Johnson as charismatic as ever, though he’s ill-served by a rote script.

Second and third opinions required?

Mom and Dad (2017, dir. Brian Taylor)

An electronic virus drives parents to kill their children; one family home becomes a battleground. Brisk bad taste horror-comedy that gets in and out fast. Everyone is on fine form, and there’s the best use ever of a Erasure song in the movies.

Safety Not Guaranteed (2012, dir. Colin Trevorrow)

A reporter and two interns investigate a classified advert promising time travel. Lo-fi comedy that doesn’t outstay its welcome. Charming enough, with just a hint of sci-fi, and with fine performances all round.

Hotel Artemis (2018, dir. Drew Pearce)

One night in a gangsters-only private hospital in riot-torn near-future LA. Derivative but fun low-budget cyberpunk thriller, with elements of the Purge and John Wick movies. The budget’s wisely spent on strength in depth in the casting.

God Told Me To [AKA Demon] (1976, dir. Larry Cohen)

A religious NYPD detective investigates a series of random killings. Splendid one-of-a-kind SF/horror with a procedural aspect. Impressively shot on the sly on the streets of New York, and with some great ideas, this is one of director Cohen’s best flicks.

Overlord (2018, dir. Julius Avery)

1944 France. A US squad behind German lines encounter a supersoldier programme. Well-mounted horror/military action hybrid that doesn’t quite make the most of its well-worn B-movie premise, but is great to look at and has an appealing young cast.

And here’s Lemonsquirtle’s POV.

Frankenstein and the Monster From Hell (1974, dir. Terence Fisher)

Frankenstein, hiding out in a lunatic asylum, takes on a young disciple. The last of the Hammer series is an okay entry, hampered by over-familiarity and a poorly-designed creature, but with some nifty moments and Cushing’s typically meticulous performance.