I Am Mother (2019, dir. Grant Sputore)

A girl is raised by an android in an underground bunker as part of an Earth repopulation project. Well-designed and acted SF that sustains itself for an hour, but which doesn’t have the nous to engineer a third act; ultimately frustrating, even if there are many pleasures along the way.

Terminator: Genisys (2015, dir. Alan Taylor)

Time-travelling freedom fighters attempt to prevent a digital apocalypse in near-future (2017) San Francisco. Muddled series reboot saddled with awkward plotting, key unanswered questions, and too many borrowings. Only JK Simmons brings some fun in support.

Office Uprising (2018, dir. Lin Oeding)

Nerdy colleagues band together after co-workers become murderous via a weaponised energy drink. Okay-while-its-on comedy-horror with a Larry Cohen-esque conceit and a whiff of The Belko Experiment. No real surprises or scares, but some nice lines and action details.

Death Trench [AKA Trench 11] (2017, dir. Leo Scherman)

In the last moments of WWI, a team go behind German lines to investigate a mysterious compound where chemical weapons may be being developed. Okay addition to the period military zombie subgenre: the 1918 setting is a bonus. The usual infighting, mad doctor, odd alliances plus marauding infested shenanigans ensue.

Predators (2010, dir. Nimrod Antal)

A disparate collection of human killers find themselves prey in an alien game reserve. Efficient series reboot that rings enough engages initially to distinguish itself from the 1987 original, though by the end defaults to remake rather than continuation setting. The best of the sequels though.

Captain Marvel (2019, dir. Anna Boden & Ryan Fleck)

An alien warrior works to prevent a rival species from gaining a foothold on 1995 Earth. Slow-starting but generally entertaining superhero origin flick, wisely not overdoing its nostalgic comedy; the film’s hampered somewhat by the low-stakes storyline.

Contagion (2011, dir. Steven Soderbergh)

A new disease spreads; an epidemic ensues. Excellent and sober intelligent action flick with the understated tone of a documentary. A genre movie handled with precision and the director’s trademark craft.