An ex-FBI agent turned security consultant must rescue his family from a high-tech skyscraper overrun by fire and criminals. Derivative though passable tosh, mashing up Die Hard and The Towering Inferno. Johnson as charismatic as ever, though he’s ill-served by a rote script.
An electronic virus drives parents to kill their children; one family home becomes a battleground. Brisk bad taste horror-comedy that gets in and out fast. Everyone is on fine form, and there’s the best use ever of a Erasure song in the movies.
A reporter and two interns investigate a classified advert promising time travel. Lo-fi comedy that doesn’t outstay its welcome. Charming enough, with just a hint of sci-fi, and with fine performances all round.
A religious NYPD detective investigates a series of random killings. Splendid one-of-a-kind SF/horror with a procedural aspect. Impressively shot on the sly on the streets of New York, and with some great ideas, this is one of director Cohen’s best flicks.
1944 France. A US squad behind German lines encounter a supersoldier programme. Well-mounted horror/military action hybrid that doesn’t quite make the most of its well-worn B-movie premise, but is great to look at and has an appealing young cast.
And here’s Lemonsquirtle’s POV.
Frankenstein, hiding out in a lunatic asylum, takes on a young disciple. The last of the Hammer series is an okay entry, hampered by over-familiarity and a poorly-designed creature, but with some nifty moments and Cushing’s typically meticulous performance.