An estranged father and son have to work together to survive on a hostile planet. Contrived and awkwardly-structured SF/horror; an obvious Smith family passion project. One great jumpscare aside, though, this is minor work from all.
In 2035, a robot-hating detective investigates the suicide of a tech genius. CG-heavy SF action thriller based very loosely on Isaac Asimov stories. Some interesting production design, but linear and clunky plotting make this hollow, despite star Will Smith’s obvious charisma.
A space station tasked with saving the Earth from energy crisis is transported to a parallel dimension. Good-looking, well-cast, but dumb-as-rocks sidequel to Cloverfield / 10 Cloverfield Lane that steals indiscriminately (Gravity to Evil Dead II) but can’t settle in terms of tone or logic.
A young executive is lured to a remote clinic to find his superior. Gorgeously-designed and formally beautiful psychological horror, which mixes elements of Dracula and Frankenstein. However, it’s almost an hour too long. Get on with it!
Don’t take my word for it, though. Here’s Lemonsquirtle’s review.
A man wakes up in a high-tech cell, with only a voice-enabled robot camera for company. Neat one-room SF thriller with shades of Moon, Cube and 2001: A Space Odyssey. As ever, the puzzle is the thing; this just about earns its resolution.
Disappointing continuation of the saga that does this series more harm than good. Overlong, over written and over produced in almost every way with shiny visuals and little else. So much of this makes no sense it becomes irritating. A tragic let down.
Another review from LemonSquirtle can be found here
A quake hits California; an estranged family tries to reunite. Despite hitting every dumb cliche in the disaster movie book, San Andreas is still an entertaining-enough flick, not least because it plays straight with its hackneyed material.
Alternative view here!