A fatherless boy is hunted as both the potential saviour and destructor of the multiverse. Impressively-designed and well shot, this is nevertheless an oddly perfunctory and rushed movie, cherrypicking 90 minutes of action from the Stephen King fantasy cycle.
Fancy another point of view? Here’s Lemonsquirtle’s review.
A giant creature invades Tokyo. Effective reboot of the long-running monster movie franchise. Godzilla 2016 draws on contemporary concerns, offering a satire of governmental bureaucracy alongside good-looking man v monster mayhem.
The last remnants of the rebellion flee the First Order. Superior eighth instalment of the space opera, daring to ring a few changes on the template re-established by its predecessors while bringing new characters further to the fore.
Other opinions? Here’s Lemonsquirtle’s, and here’s Xussia’s.
Survivors of a new ice age find a neighbouring colony has been taken over by feral cannibals. Patchy SF/horror which can’t decide which old story it wants to tell (base under siege, cannibal zombies, epidemic, road movie) so has a bash at several.
A Vietnam veteran pilot is tasked with stealing a high-tech Soviet fighter plane. Slightly clunky Cold War-meets-SF thriller, though with strength in depth in its casting, and with then-groundbreaking visual effects, plus a splendid Maurice Jarre score.
Bond again battles Blofeld; this time up to germ warfare. Despite the awkwardness at times of lead Lazenby, this is perhaps the best all-round Bond; bags of action, some self-aware humour, lovely design work and excellent direction and editing.
An alien invasion provokes an investigation led by a biologist. Sombre SF/horror with whiffs of Arrival and Solaris in its makeup. Genre thrills are underplayed in favour of introspection and aftermath; interesting rather than good, with a perhaps divisive ending.