An arrogant scientist unleashes his dark side when invisibility experiments go wrong. While lacking the satiric edge of Verhoeven’s best US SF-infused work, this is still a fun, well-resourced and knowingly sleazy horror flick, with all involved operating effectively, showcasing still-impressive effects work..
A self-destructive father is targeted because of his unique DNA. Awkward and clumsy low-budget oddball superhero/metaphysical drama. Functions rather better than a CG effects showcase than as a movie, despite reliable villainy from Colm Feore.
A temporal anomaly brings Picard and Kirk together in uniting against a common temporal foe. Awkward series entry passing the movie baton to the Next Generation crew. Televisual story and handling, though, with a low-key exit for Kirk. For completists only.
A Predator attempts to clear an alien infestation of a Colorado town. Banal direct sequel to Alien vs. Predator, oddly combining high-school slasher tropes with full-on monster mayhem. Dumb, visually murky and nigh plotless, though a couple of transgressive ideas lurk. A franchise low.
A mysterious Antarctic pyramid structure is linked to ancient alien hunting rites. Comic book-style franchisemashup with the focus on action and startling images rather than on SF horror. Not for purists, but well-resourced entertainment nevertheless with a stirring lead and great casting in depth.
A socially-awkward physicist is visited by a future version of himself. Smart little romantic comedy with SF elements. Crucially, it doesn’t overplay the time travel elements, but uses them to tell a straightforward but charming story. Recommended.
Poundland Star Wars meets Magnificent 7. Big Space ships, space lasers, space lizards – even space cowboys and Sybil Danning in a Valkyrie outfit made from bottle caps. What’s not to like! Fun, somewhat tongue in cheek riff – offers nothing new, but everyone is having a good time along the way!
Strange yet compelling sci-fi/horror film based on the Dean R Koontz novel, where a computer AI has designs on its designers wife. Directed with peculiar attention to detail and a uncomfortable tone, rough around the edges but still watchable.
Multiple parties search for the source of a New Orleans street drug, which grants a superpower for five minutes. Flashy and confident if superficial mashup of Limitless and the 70s TV show Gemini Man. Plenty of incidental fun tho, especially in the first two acts.
A stranded alien causes havoc at Mossy Bottom Farm. Aardman does ET, basically. And pretty well, too. This second Shaun movie is gorgeous-looking, as English as tuppence, has a high gag-to-minute ratio, and enough genre shout-outs to please the most demanding of SF faithful. The best flick of its type since, oh, Paddington 2.