Three adaptations of Stephen King short stories: “Old Chief Woodenhead”, “The Raft” and “The Hitchhiker”. Cut-price anthology sequel that short-changes the viewer (there were five tales in Part 1), making up in rubbery gore for what the yarns lack in comedy and chills. A couple of oddly-effective moments, but that’s about it.
One Halloween, a gang of geeky teens disturb a fabled local ghost. Starts well, but soon gets bogged down in undernourished anthology stories and a pedestrian puzzle seen a hundred times before. Interesting late 60s setting, though never made relevant to the narrative.
A paranormal investigator is given three cases to solve which will apparently prove the existence of the afterlife. Hugely entertaining and clever reworking of old-as-the-hills material, perhaps better enjoyed on a second viewing so its construction can be appreciated.
For another perspective, here’s Xussia’s view.
Six tales of the Old West, each taller than the last. Splendid Western anthology, packed full of quirky moments and character actors, with a few stars plainly having fun. Not exactly commercial, though; Netflix is a good home for this Coen brothers confection.
A researcher discusses six notable patients in the same mental hospital. OK horror anthology with some reasonable production values and decent story quality, though the final twist is supremely guessable.
Four linked horror stories take place on the same Christmas Eve. Reasonable anthology held together by William Shatner’s drunk radio jock. Plenty of contemporary horror tropes dealt with: changelings, zombies, Krampus, spooky dormitory found-footage.
Five men on a train have their fortunes told by the mysterious Dr Schreck. The first Amicus horror anthology is tremendous, mixing classic tropes with modish 60s pop culture, delivering a suite of chills and thrills backed up by expert playing from an unparalleled ensemble cast.