In 2018, Michael’s rampage continues: events have links to forty years earlier. The middle part of the new trilogy suffers from a need to keep its leads safe for part three. As a result, there’s little plot: effective and plentiful kills, fan service, and nods to survivor guilt and mob mentality don’t a complete movie make.
A struggling family inherits a remote farmhouse formerly belonging to a Ghostbuster. A film of bits, some of them entertaining and fresh. Essentially a straight sequel to the 1984 film, it starts well as an 80s-style Amblin kid-centric comedy-drama, then reprises the original, then trips over fanservice.
A blind veteran protects a child from home invaders. Undeniably stylish and well-made horror/thriller sequel, though one with daft plot developments and a grimy aftertaste that takes it into torture porn territory. Nevertheless, director Sayagues is a talent: let’s hope there’s a more balanced script next time out.
Convicted DC supervillains are recruited to undertake a covert mission. Splashy flip splattery slapstick action comedy sequel, developing into a Ghostbusters variant. Some poetic moments help, though the crowded cast needs more time to breathe than can be given here.
Jack Deth battles a nemesis in present-day LA, while dealing with future complications. Tatty straight-to-video sequel with only glimmers of the vim of the original. A shame, as there’s some good ideas, plus a decent cult movie cast, though they don’t all have much to do. Further episodes followed.
A dysfunctional family on a trip to relatives encounters murderous masked teens. Competent slasher sequel which benefits from a decent cast and some strong moments, but that doesn’t really add anything to its predecessor. A lighter touch makes the flick more accessible, but this might not be what’s quite needed here.
Two survivors of a murderous escape room decide to take on the corporation masterminding the games. Okay sequel that does much the same as before, though which seeks to expand on the franchise. Not all of it works, but this is brisk and sometimes creative fun for subgenre fans (an extended version adds another subplot).
A retired Bond combats the threat of a stolen bioweapon. Last of the Craig-era pics, this is the Avengers: Endgame of Bond flicks, rounding out a loose five-film arc. Less successful as a stand-alone movie, but it tries something different, Craig and a guesting Ana de Armas are both great, and there’s neat moments aplenty among the bombast and soapy stuff.
Four schoolfriends are trapped in an underwater ruin. Passable teen-oriented thematic sequel. Doesn’t have the singular purpose of its predecessor, and too much is demanded of an inexperienced cast. No great shakes in the scares department, either, though subgenre fans will have an at least passable time.
An expedition to Earth’s hollow centre searches for a power source critical to fight the Titans. Following Godzilla: King of the Monsters, this series continuation pillages everything from At The Earth’s Core to, er, The Core. Some neat moments aside, though, this is uninvolving CG monster city battle gubbins with a decent cast stranded.