Avengers: Infinity War (2018, dir. Anthony Russo & Joe Russo)

The Avengers and the Guardians of the Galaxy team up with others to prevent Thanos obtaining all the infinity stones. Dayglo all-star Marvel tag-team mash-up. For series fans only; tho it’s kinda fun while it’s on, CG fights get dull. TV, not a movie.

Jumanji: Welcome To The Jungle (2017, dir. Jake Kasdan)

Four teens are transported into an old video game. Contrived but fun sequel to the 1996 movie, which gets a lot of comedy out of its avatar/body-swap shtick, though the actual story is as linear as the games it spoofs. eXistenZ for kids, almost.

Texas Chainsaw Massacre: The Next Generation [AKA The Return of the Texas Chainsaw Massacre] (1994, dir. Kim Henkel)

Four students leave their senior prom and get lost in the woods, happening across the Sawyer clan. Again, there’s interesting stuff among the scream and chase stuff, not least an odd wider story, and some smart production design. Patchy, though.

Leatherface: The Texas Chainsaw Massacre III (1990, dir. Jeff Burr)

A young couple and a survivalist fall foul of the Sawyers. Straightforward back-roads bodycount series entry, with the Sawyer family dynamic again the most interesting aspect. Notable for a young Viggo Mortensen in the cast, plus veteran Ken Foree.

101 Dalmations II: Patch’s London Adventure (2003, dir. Jim Kammerud & Brian Smith)

Cruella de Vil attempts again to steal and kill the puppies; one dog stands alone. OK straight-to-DVD sequel, heavy on London cliches, slapstick, and cutesy pooches. No classic, certainly, but inoffensive fun nevertheless.

Incredibles 2 (2018, dir. Brad Bird)

Elastigirl works to redeem public perception of superheroes, while Mr Incredible wrestles with baby Jack-Jack’s burgeoning powers. Perhaps overlong and overly-similar to the first film, this is nevertheless expertly-designed and executed family entertainment.

Jurassic World: Fallen Kingdom (2018, dir. J. A. Bayona)

A mission to rescue dinosaurs from Isla Nublar turns out to be a double-cross. Awkward sequel which doesn’t make a lick of sense, being a string of chase and rescue set-pieces stitched together; the third act is the best, with a horror movie feel to it.