War for the Planet of the Apes (2017, dir. Matt Reeves)

Caesar comes up against a military leader determined to wipe apes from the planet. Downbeat but impressive third and final part of the trilogy; a more introspective movie than its predecessors but stirring nevertheless.

Another opinion? Here’s Lemonsquirtle’s review.

The Lost World: Jurassic Park (1997, dir, Steven Spielberg)

A rescue mission to a second island – where the original film’s dinosaurs were engineered – goes awry. Patchy sequel to the original, stronger on set-pieces than on logic or story, with borrowings from a dozen monster movies.

Blade Runner 2049 (2017, dir. Denis Villeneuve)

A replicant assassin uncovers a decades-old conspiracy. A worthy follow-up to the Ridley Scott classic; 2049 is deliberately-paced, but stunning in places and gorgeous to look at throughout. Recommended.

Fancy another 255 opinion? Here’s Xussia’s take.

Star Trek II: The Wrath of Khan (1982, dir. Nicholas Meyer)

An old adversary returns, seeking vengeance on Kirk. Second and perhaps the best of the movie adventures, this captures the series well in its sense of adventure, while delivering both in action and SF spectacle, as well as in some deliriously hammy acting. Huge fun.

The Cloverfield Paradox (2018, dir. Julius Onah)

A space station tasked with saving the Earth from energy crisis is transported to a parallel dimension. Good-looking, well-cast, but dumb-as-rocks sidequel to Cloverfield / 10 Cloverfield Lane that steals indiscriminately (Gravity to Evil Dead II) but can’t settle in terms of tone or logic.

The Huntsman: Winter’s War (2016, dir. Cedric Nicolas-Troyan)

Sidequel to 2012’s Snow White and the Huntsman, minus the first film’s lead. Oddball attempt to craft a continuation; good casting in depth helps a bit, but the story’s a secondhand grab-bag of old tales that have been better retold by others.

Evan Almighty (2007, dir. Tom Shadyac)

God chooses a new senator to build an ark. Bland sequel to Bruce Almighty which scrapes by on slapstick, some decent supporting turns, and on Steve Carrell doing his best against iffy CG backdrops. No surprises; one for the unquestioningly faith-friendly.