200 years after the events of Alien 3, Ripley is cloned by military scientists eager to weaponise the xenomorph. Good-looking and humorous Part 4 with an excellent cast of character actors; tonal inconsistency and a wayward third act destabilise the storytelling. The compulsion to find new twists undoes some of the excellent earlier material presented here.
A Vietnam veteran seeks revenge on the cartel that kidnapped a daughter figure. Hints of a more elegiac contemporary Western linger, but the released cut is a lumpy body-count flick with linear plotting and an oddly perfunctory attitude to the staging of its many kills. Best thing is the end credits, which strike the right tone.
Three adaptations of Stephen King short stories: “Old Chief Woodenhead”, “The Raft” and “The Hitchhiker”. Cut-price anthology sequel that short-changes the viewer (there were five tales in Part 1), making up in rubbery gore for what the yarns lack in comedy and chills. A couple of oddly-effective moments, but that’s about it.
The now-adult Losers’ Club return to Derry to face Pennywise again 27 years later. Oddly baggy second half; the adults don’t get enough attention, and the resolution still doesn’t work. Pennywise turns out to be a lot less scary when facing down grownups. Gives the impression there’s a better miniseries-length edit of the movies somewhere.
A veteran secret service agent goes on the run after he’s framed for a presidential assassination attempt. Third and best of the Gerry Butler actioners, this is reliable thick ear entertainment with some quality villainy from Danny Huston, and some excellent stuntwork (tho some iffy lighting of greenscreen studio space). Fun while it’s on.
Want another perspective? Here’s Xussia’s twopenceworth.
The birds and the pigs have to work together to prevent their islands from being destroyed by invaders. Okay dayglo sequel that is consistently funny even if it relies heavily on pop-culture gags and on slapstick side-missions nicked from the Ice Age movies.
Time-travelling freedom fighters attempt to prevent a digital apocalypse in near-future (2017) San Francisco. Muddled series reboot saddled with awkward plotting, key unanswered questions, and too many borrowings. Only JK Simmons brings some fun in support.