No Time to Die (2021, dir. Cary Joji Fukunaga)

A retired Bond combats the threat of a stolen bioweapon. Last of the Craig-era pics, this is the Avengers: Endgame of Bond flicks, rounding out a loose five-film arc. Less successful as a stand-alone movie, but it tries something different, Craig and a guesting Ana de Armas are both great, and there’s neat moments aplenty among the bombast and soapy stuff.

Here’s the trailer.

47 Meters Down: Uncaged (2019, dir. Johannes Roberts)

Four schoolfriends are trapped in an underwater ruin. Passable teen-oriented thematic sequel. Doesn’t have the singular purpose of its predecessor, and too much is demanded of an inexperienced cast. No great shakes in the scares department, either, though subgenre fans will have an at least passable time.

Here’s the trailer.

Godzilla vs. Kong (2021, dir. Adam Wingard)

An expedition to Earth’s hollow centre searches for a power source critical to fight the Titans. Following Godzilla: King of the Monsters, this series continuation pillages everything from At The Earth’s Core to, er, The Core. Some neat moments aside, though, this is uninvolving CG monster city battle gubbins with a decent cast stranded.

Here’s the trailer.

A Quiet Place, Part II (2020, dir. John Krasinski)

Evelyn and her family flee their farm and soon encounter new problems, human and alien. Direct continuation (with some prequel material) of the first movie. Generally solid, even if there’s some awkwardness with an episodic plot and story geography. Nevertheless, the playing is strong, and Krasinski is adept at both suspense and shock moments.

Want another perspective? We’ve got you.

And here’s the trailer.

Return to House on Haunted Hill (2007, dir. Victor Garcia)

The sister of a survivor of the previous movie becomes involved in the search for a magical idol. OK-as-far-as-it-goes DTV sequel expanding on the first movie in promising ways, and gleeful in its gore. A cast of vaguely-familiar UK telly faces helps, even though the movie crumbles into daftness.

Here’s the trailer.

Fear Street: 1978 [AKA Fear Street Part Two: 1978] (2021, dir. Leigh Janiak)

Young adult counsellors at a summer camp are targeted by one of their number who becomes possessed by a vengeful witch. Patchy middle instalment of the horror trilogy, awkwardly juxtaposing slasher pastiche with larger-scale storytelling. Makes the mistake of not grounding its horrors: good playing can’t disguise structural issues and some stupid ideas.

Here’s the trailer.

Taste the Blood of Dracula (1970, dir. Peter Sasdy)

Three debauched Victorian gentlemen agree to a satanic ritual. Middling series entry (following directly from Dracula Has Risen From The Grave) balancing Stoker and Dennis Wheatley. Slipshod storytelling and a struggle to innovate doesn’t help, though the movie’s enlivened by a decent cast of character actors and some new talent.

Here’s the trailer.

C.H.U.D. II: Bud the C.H.U.D. (1989, dir. David Irving)

Teenagers steal a cadaver, and unwittingly cause a zombie outbreak. Generally sprightly loose sequel, played squarely for laughs this time out. A surprising amount of it works, even if the loose plot is little more than a frame for gag sequences. Contains one of the few John Huston jokes in horror cinema.

Here’s the trailer.

Welcome to Sudden Death (2020, dir. Dallas Jackson)

An ex-forces security guard takes on hi-tech thieves during a basketball game. Straightforward DTV reprise of the 1995 Peter Hyams/Van Damme minor action classic: Michael Jai White is as charismatic as ever, and while the movie’s not great, it delivers lo-fi fisticuffs, some OK jokes, and a couple of neat ideas.

Here’s the trailer.

Wrong Turn VI [AKA Wrong Turn 6: Last Resort] (2014, dir. Valeri Milev)

A young man and his friends arrive at a remote spa hotel: he has inherited the property, but it comes with family complications. A partial reboot that tries a few new things, though soon defaults to the boobs, blood, and inbreeds usual. A further reboot is promised for 2021.

Here’s the trailer.