6 Underground (2019, dir. Michael Bay)

A tech billionaire finances a vigilante squad dedicated to removing threats to global peace. Well-made fun-but-dumb action-comedy playing to the director’s trademark obsessions and strengths in mashing up Michael Mann and Tony Scott. An auteurist work; spectacular in both the Debordian and the blowing-shit-up-good senses.

Enchanted (2007, dir. Kevin Lima)

A fairytale princess is magically transported to present-day New York. Excellent musical rom-com which satirises and celebrates Disney animated fairy stories at the same time. Lots to enjoy: great songs, fine performances, a keen sense of self-awareness, and no little affection for its subjects.

Scrooge (1935, dir. Henry Edwards)

A miser is haunted by a series of ghosts, so he may rethink his approach to Christmas and life. A charming adaptation of the oft-filmed Dickens novella A Christmas Carol, capturing a famous stage portrayal. Some lovely model effects and a keen visual sensibility; a touch of expressionism and a feel for the period on display here.

Paradise Now (2005, dir. Hany Abu-Assad)

Two Palestinian friends are recruited for a next-day suicide mission into Tel Aviv. Intelligent drama with a few darkly comic touches; everyone has their reasons. The film works hard not to moralise, focusing on depiction and explanation, without asserting wider truth-value to its characters’ actions and beliefs.

Hobbs & Shaw [AKA Fast and Furious (Presents): Hobbs & Shaw] (2019, dir. David Leitch)

Mismatched agents team up to prevent a bio-engineered villain from stealing a deadly toxin. Dumb-but-fun-but-dumb again action-comedy sidequel to the later Fast/Furious flicks. Jolly bickering and star cameos help, but the film too-quickly becomes wearying in its CG excesses when it should be at least physics-aware.

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Night Hunter [AKA Nomis] (2018, dir. David Raymond)

An obsessed detective and a former judge work together to track an abductor of young women. Messy blend of a hundred different thrillers, bolstered by a great cast doing good work in wintry conditions. Watchable, but curious; the script on paper must have been greater than the end result.

Hold Your Breath [AKA Dans La Brume / Just A Breath Away] (2018, dir. Daniel Roby)

A toxic gas of unknown origin fills Paris; an estranged couple with a sick daughter try to survive. Clever and surprisingly emotional apocalyptic thriller, making the most of its premise and the chance to focus on relationships as much as plot-driving missions. Well worth your time.