Two soldiers are given orders to deliver an urgent message to prevent a massacre. Works better as a race-against-time action movie than as an anti-war flick, but sustains itself impeccably and looks great throughout. The single-shot/more-or-less real-time aesthetic just about justifies itself, though can be distracting in quieter moments.
Matters converge: a final stand at Hogwarts against Voldemort. The last part of the eight-film cycle delivers in terms of epic action sequences, resolutions for characters followed over multiple movies, and a decent coda; no real surprises, and nothing for outsiders, which is perhaps as it should be.
Harry and friends, now on the run, must destroy the magical items sustaining Voldemort. The first half of the final novel – more or less – is a decent chase adventure, with a darker tone than before; the splitting of the source material allows for pacing to be improved, through the structure necessitates a forced cliffhanger bridge to Part 2.
An undersea naval facility disturbs a monstrous sea creature. Slightly tatty Alien clone trying to steal The Abyss‘s thunder at the late 80s box office. A cast of TV faces and some fun-though-budget model and creature effects help pass the time. One great jumpscare, mind you, and some interesting character details in passing.
A deep-sea mining team encounters a sunken Soviet ship harbouring a mutant organism. Cheesy Alien/The Thing hybrid/ripoff, made to piggyback the release of The Abyss. Perfunctory direction and script, but a couple of neat Stan Winston-designed monster moments and a fine cast of character actors offer some entertainment.
A pop-culture geek finds true love and a suitcase of cocaine. A modern fairy story, an ode to the movies, and a movie nerd’s fantasy script come together; riffing on Malick’s Badlands and wearing its references on its sleeve, True Romance stands up well to this day, and has a cast of up-and-comers and veterans to die dor.
Five outsiders find themselves undergoing a bizarre hazing ritual to join a college fraternity. Well-sustained minor horror flick that maximises a small cast and a single location. Doesn’t have much to say, and it’s not exactly fun, but a useful calling-card pic; there’s some potential on show here.