Skyfall (2012, dir. Sam Mendes)

Bond battles a former MI:6 agent intent on revenge on M. Superior series entry with lots to recommend it, not least a back-to-basics siege third act. A couple of wobbly moments (beware the oddly-empty tube car), but apart from those, this is superior genre entertainment.

Kingsman: The Golden Circle (2017, dir. Matthew Vaughn)

Kingsmen join with their American equivalent to battle a virus-wielding drug lord. Gleeful but over-stuffed, overlong and indulgent sequel, magnifying the first film’s good points and its issues. Some fun to be had, tho, and Mark Strong gets a crowning moment of awesome.

The Satanic Rites of Dracula (1973, dir. Alan Gibson)

In modern-day London, Dracula is behind an establishment conspiracy to unleash a plague epidemic. Modish late series entry, with loads of ideas, and an approach drawing on SF and a Bond villain plot. Fun, within its limitations, and impeccably played.

The Commuter (2018, dir. Jaume Collet-Serra)

A just-sacked salesman is coerced into finding a witness on his train home. Contrived but fun single-location thriller from Neeson/Collet-Serra (their 4th collaboration). Well-stocked with sneaky character actors, and there’s a third-act moment of wonder. Enjoyable tosh.

Another perspective required? Here’s Lemonsquirtle’s POV.

Anon (2018, dir. Andrew Niccol)

In the near future, a detective investigates a woman without a data presence. Minimalist thriller typical of its director’s concerns with surveillance. Well-designed, and with plenty of good stuff along the way, but maybe a touch too austere, falling between arthouse and genre piece.

Jack Reacher (2012, dir. Christopher McQuarrie)

Reacher investigates a mass-murder committed by a former sniper. First and better of the Tom Cruise adaptations of the Lee Child books, with a focus on old-school lo-fi tough guy thrills, and on a reasonable mystery backed up with excellent character acting.