Escape From New York (1981, dir. John Carpenter)

An infamous criminal is sent into the island prison of Manhattan to rescue the US President. Defiantly odd post-apocalyptic piece, much happier with its production design and oddball characters than delivering on action/horror. Not quite the film you remember.

All The Money In The World (2017, dir. Ridley Scott)

A dramatisation of the 1973 kidnapping of John Paul Getty III. Well-acted, good-looking though insubstantial retelling of a famous case; not quite a serious drama or a straightforward thriller, and the weaker for the indecision.

Green Zone (2010, dir. Paul Greengrass)

An idealistic soldier discovers the truth about WMDs in 2003 Iraq. Sleek action-led thriller which dramatises a key event in recent world history. Simplistic in its approach but undeniably thrilling, with several great sequences.

Geostorm (2017, dir. Dean Devlin)

Weather control satellites are interfered with to cause global destruction as part of a conspiracy. Longtime Roland Emmerich cohort Dean Devlin pastiches the RE formula, but hasn’t the same panache; this is a lumpy blockbuster that makes little sense.

Another perspective required? Here’s Xussia’s take.

Titanic II (2010, dir. Shane Van Dyke)

A centenary cruise commemorating the first voyage of a new Titanic suffers a similar fate. Typically tatty mockbuster from The Asylum featuring inadequate CG, a slumming character actor (hi, Bruce Davison), and a variable approach to science. Not even fun if watched as camp.

Brawl in Cell Block 99 (2017, dir. S. Craig Zahler)

A mechanic turned drug mule has to battle the prison system to save his pregnant wife from the dealers he owes. Slow-paced but inexorable, this crime drama/horror mash-up isn’t for everyone, but is both brilliant and brutal if you can go with it.