Skyscraper (2018, dir. Rawson Marshall Thurber)

An ex-FBI agent turned security consultant must rescue his family from a high-tech skyscraper overrun by fire and criminals. Derivative though passable tosh, mashing up Die Hard and The Towering Inferno. Johnson as charismatic as ever, though he’s ill-served by a rote script.

Second and third opinions required?

The Silence (2019, dir. John R Leonetti)

After a swarm of ravenous creatures who hunt by sound is released, a family runs to stay alive. Patchy road movie/horror hybrid from the Tim Lebbon novel. Comes across – a touch unfairly – as an opportunistic grab-bag of bits from Pitch Black / The Birds / Straw Dogs and the more recent Bird Box / A Quiet Place.

Hotel Artemis (2018, dir. Drew Pearce)

One night in a gangsters-only private hospital in riot-torn near-future LA. Derivative but fun low-budget cyberpunk thriller, with elements of the Purge and John Wick movies. The budget’s wisely spent on strength in depth in the casting.

Ocean’s Eight [AKA Ocean’s 8] (2018, dir. Gary Ross)

A just-released thief puts together a jewel heist. Slick comedy-thriller with a few nods to the Clooney/Pitt/Soderbergh movies. Fun while it’s on, and everyone seems to be having a fine old time.

The Highwaymen (2019, dir. John Lee Hancock)

Two retired lawmen are recruited to hunt down and kill Bonnie and Clyde. Handsome but slow period thriller that can’t quite make up its mind if it wants to go for drama or action. Well-played, though, with a great Thomas Newman score, evoking Road To Perdition.