Supremely enjoyable buddy cop progenitor that wrote the rule book on these films. Too old for this shit. Suicidal, psychotic new partner. Family man heading toward retirement. Shady ex-military bad guys. Torture. Blonde henchman. A proper action classic.
A treasure seeker is in a race against time to find a fabled hoard. Daft but hugely enjoyable chase and puzzle-based comedy-thriller, riffing off Dan Brown, Indiana Jones, and Mission: Impossible equally. Lots of fun if you’re in the mood.
The rise of a hoodlum during Prohibition. Handsome, lovingly made, but slow, baggy, and uninvolving gangster pic. Clearly a labour of love, but too indebted to its source novel’s structure to make an engaging movie, despite good moments along the way.
Leonard can’t make new memories. Leonard’s wife was killed. Leonard needs to catch and kill her killer. Leonard doesn’t understand those around him. Leonard is at their mercy. Leonard does not understand what’s going on. Leonard can’t make new memories.
A professional assassin mentors a young man while seeking revenge for a betrayal. Okay remake of the 1972 Charles Bronson original, with plenty of generally well-orchestrated action to hurry the plot along. A sequel, 2016’s Mechanic: Resurrection, followed.
A dramatisation of the 1980 Iranian embassy siege. Glum retelling which struggles to evidence a point for its existence, delivering neither on insight, telling detail, nor even on SAS action. Who Dare Wins was, at least, bonkers.
An Arctic scientific expedition is used as cover for different factions searching for old U-boat pens and Nazi gold. Great location work and impressive sets, plus a strong cast, enliven this otherwise-talky thriller adapted from an Alastair MacLean novel.