Suspiria (2018, dir. Luca Guadagnino)

A dancer joins a troupe that’s a front for a coven. Startling remake of the Argento original that while not having the bravura dream logic of the original is nevertheless an unsettling and well-sustained piece of work. Respectful enough to pay homage, but different enough to be its own beast.

Mandy (2018, dir. Panos Cosmatos)

A rural couple is kidnapped by cultists, triggering a revenge spree. Dazzling and trippy horror/road movie hybrid, set in a stylised 1983. A movie with its own rules that fully rewards going with it and its excesses, in both narrative and visuals. Recommended.

Terrifier (2017, dir. Damien Leone)

A psychotic murderer dressed as a clown stalks two students on Halloween. Gleefully gory and grimy 80s throwback slasher/torture porn hybrid. Ultimately wearying, there are some genuinely funny / jarring / startling moments nevertheless.

Brawl in Cell Block 99 (2017, dir. S. Craig Zahler)

A mechanic turned drug mule has to battle the prison system to save his pregnant wife from the dealers he owes. Slow-paced but inexorable, this crime drama/horror mash-up isn’t for everyone, but is both brilliant and brutal if you can go with it.

The Hollow One [AKA The Darker Path] (2015, dir. Nathan Hendrickson)

A mother’s secret identity may be mixed up with an ancient artefact. Oddball SF/horror that tries to do zombie movie, family secret flick, and an existentialist SF movie all in one. The whole thing collapses under its awkwardness, tho it gains a point for daft ambition.