An obsessed detective and a former judge work together to track an abductor of young women. Messy blend of a hundred different thrillers, bolstered by a great cast doing good work in wintry conditions. Watchable, but curious; the script on paper must have been greater than the end result.
A now-aged mob hitman reflects. A stunning revisiting of themes preoccupying Scorsese throughout his career; gang life, organised crime, Catholic guilt. Sombre and melancholy, and Ellroy-like in its alt-history approach to the American 20th century. A technical, dramatic and stylistic marvel, with fine performances all around, none less than from Pesci, who’s revelatory here. Hugely recommended.
Two car-criminal brothers have to steal a rare sports car to repay a debt. Glossy, slick, and glamorous escapist entertainment made with some skill. Indebted to Gone in 60 Seconds / Fast & Furious flicks, with a dash of Europacorp-ish South of France style. Fun while it’s on, and good-looking throughout.
An embattled detective tries to work out how an unorthodox bank robbery became a hostage situation. Smart heist/siege movie that works as an intelligent genre piece and a sly political commentary on post-9/11 America. Lots to enjoy, with clever performances all around and plenty to think about. Recommended.
An elderly man becomes a drugs runner for a cartel. Crime drama based on a true story. Baggy and indulgent in places, but with some charming moments, and a decent lead performance from Eastwood. The script’s the issue; we never quite get to the heart of the character, despite efforts to tell a rounded story.
A Philadelphia cop becomes obsessed with a recurring series of crimes, and with the person committing them. Excellent time-travel serial killer cop drama from director Jim Mickle, that touches on all manner of interesting material. Recommended.
An escaped prisoner holds his gangster brother’s criminal friends hostage. Superior DTV violent martial arts action, with a career-best performance from Adkins and a keen sense both of the strengths and limits of the genre.