Night Hunter [AKA Nomis] (2018, dir. David Raymond)

An obsessed detective and a former judge work together to track an abductor of young women. Messy blend of a hundred different thrillers, bolstered by a great cast doing good work in wintry conditions. Watchable, but curious; the script on paper must have been greater than the end result.

The Irishman [AKA I Heard You Paint Houses] (2019, dir. Martin Scorsese)

A now-aged mob hitman reflects. A stunning revisiting of themes preoccupying Scorsese throughout his career; gang life, organised crime, Catholic guilt. Sombre and melancholy, and Ellroy-like in its alt-history approach to the American 20th century. A technical, dramatic and stylistic marvel, with fine performances all around, none less than from Pesci, who’s revelatory here. Hugely recommended.

Overdrive (2017, dir. Antonio Negret)

Two car-criminal brothers have to steal a rare sports car to repay a debt. Glossy, slick, and glamorous escapist entertainment made with some skill. Indebted to Gone in 60 Seconds / Fast & Furious flicks, with a dash of Europacorp-ish South of France style. Fun while it’s on, and good-looking throughout.

Inside Man (2006, dir. Spike Lee)

An embattled detective tries to work out how an unorthodox bank robbery became a hostage situation. Smart heist/siege movie that works as an intelligent genre piece and a sly political commentary on post-9/11 America. Lots to enjoy, with clever performances all around and plenty to think about. Recommended.

The Mule (2018, dir. Clint Eastwood)

An elderly man becomes a drugs runner for a cartel. Crime drama based on a true story. Baggy and indulgent in places, but with some charming moments, and a decent lead performance from Eastwood. The script’s the issue; we never quite get to the heart of the character, despite efforts to tell a rounded story.

In the Shadow of the Moon (2019, dir. Jim Mickle)

A Philadelphia cop becomes obsessed with a recurring series of crimes, and with the person committing them. Excellent time-travel serial killer cop drama from director Jim Mickle, that touches on all manner of interesting material. Recommended.

Avengement (2019, dir. Jesse V Johnson)

An escaped prisoner holds his gangster brother’s criminal friends hostage. Superior DTV violent martial arts action, with a career-best performance from Adkins and a keen sense both of the strengths and limits of the genre.