Logan Lucky (2017, dir. Steven Soderbergh)

Two down-on-their-luck brothers plan a heist at a Nascar race. Massively confident and entertaining crime comedy, which takes the hoariest of premises (breaking out of prison to commit the perfect crime) and has lots of fun with it. Polished entertainment.

Lowlife (2017, dir. Ryan Prows)

A masked failure tries to live up to the fabled reputation of his father. LA-set black comedy crime drama, involving human organ theft, kidnapping, Luchadors and gun-toting motel owners. Not for everyone, but a confident and at times affecting violent entertainment.

Psycho (1998, dir. Gus Van Sant)

Almost shot-for-shot remake of the 1960 Hitchcock classic of the same name. An odd thing to attempt, and one which flags up the uniqueness of the original, despite (and maybe because of) a solid cast and respectful treatment of the first movie.

 

 

 

 

 

 

The Debt Collector (2018, dir. Jesse V. Johnson)

A desperate-for-money martial arts instructor takes a job as a  debt collector. Okay thick ear, with a fight every 5 minutes and some comic moments. Old-school in many ways, and with a tacked-on plot that doesn’t quite work, but reasonable fun for fisticuffs fans.

Molly’s Game (2017, dir. Aaron Sorkin)

The true story of Molly Bloom, who ran high-stakes poker games in New York and LA. Excellent drama, balanced by a fine central performance and swaggering writing, chronicling a perhaps typical rise and fall-style story, but done with class and confidence.

Alternative view here

Brawl in Cell Block 99 (2017, dir. S. Craig Zahler)

A mechanic turned drug mule has to battle the prison system to save his pregnant wife from the dealers he owes. Slow-paced but inexorable, this crime drama/horror mash-up isn’t for everyone, but is both brilliant and brutal if you can go with it.

I Don’t Feel At Home In This World Anymore (2017, dir. Macon Blair)

A timid nursing assistant teams up with a neighbour to retrieve stolen goods; matters soon get out of control. Splendid black-comedy thriller with whiffs of early Coens and some genuine surprises as matters ratchet up. Recommended.

Also, here’s xussia’s opinion.