A low-budget film crew is trapped in a high-rise – due for demolition – by gangsters. Impressive micro-budget action comedy with some great gags, fine stuntwork and fight choreography. Lots to enjoy for genre fans; the film’s limitations work to its advantage.
Frankenstein, hiding out in a lunatic asylum, takes on a young disciple. The last of the Hammer series is an okay entry, hampered by over-familiarity and a poorly-designed creature, but with some nifty moments and Cushing’s typically meticulous performance.
A US submarine captain attempts to prevent a rogue minister-led coup in Russia. Old-fashioned military thriller aping the likes of Tom Clancy. Not bad while its on, though there’s not one surprise; a game cast of character actors play the material straight.
40 years later, Michael Myers escapes to track down Laurie Strode again. Decent-enough and respectful series reboot (ignoring all the sequels), albeit one which feels too restrained. Some awkward storytelling doesn’t help either, one lovely moment and one great child actor aside.
Vlogger recording life captures murders in a take on found footage film. Has early promise but struggles badly to make its ‘point’. Hampered with limited budget and oddly out of date ideas – the plot chokes and splutters into tired formula.
A boy lives in a railway station clock. Splendid family adventure, as well as a love letter to early cinema. Scorsese enjoying playing in a new genre and with some fresh cinematic toys, not least the remarkable use of 3D. Hugely recommended.
Biopic of Neil Armstrong, from test pilot to Apollo 11 days. An impressionistic, oblique approach doesn’t really penetrate the subject, leaving Gosling free to offer another blank, introverted performance. Impressive rather than good, though with a sterling cast of character actors in support.