Angelica (2015, dir. Mitchell Lichtenstein)

In late-Victorian London, a young mother is troubled by what might be a poltergeist. Handsome but odd cod-Freudian drama which flirts with fantasy, Jekyll & Hyde-isms, and unlocked sexuality in all kinds of ways.

Jules et Jim (1962, dir. Francois Truffaut)

Two decades (pre- and post-WWI)in the lives of two men and the woman they both love. Peerless example of the French New Wave; its impact dulled by time perhaps inevitably, but nevertheless a fascinating movie crammed with daring thematic and technical ideas.

The Debt Collector (2018, dir. Jesse V. Johnson)

A desperate-for-money martial arts instructor takes a job as a  debt collector. Okay thick ear, with a fight every 5 minutes and some comic moments. Old-school in many ways, and with a tacked-on plot that doesn’t quite work, but reasonable fun for fisticuffs fans.

Miss Sloane (2016, dir. John Madden)

A ruthless Washington lobbyist goes against the pro-gun lobby. Initially intriguing though ultimately glib dramatic thriller with good performances and a sense of seriousness undone by an unbelievable third act.

Molly’s Game (2017, dir. Aaron Sorkin)

The true story of Molly Bloom, who ran high-stakes poker games in New York and LA. Excellent drama, balanced by a fine central performance and swaggering writing, chronicling a perhaps typical rise and fall-style story, but done with class and confidence.

Alternative view here

Three Billboards Outside Ebbing, Missouri (2017, dir. Martin McDonagh)

A woman pursues justice for her murdered daughter. Offbeat black comedy-drama with little concession to likeability or straightforwardness. Hugely enjoyable, though, with great performances, and keeps always on the right side of quirky.

Want a second opinion? Here’s Lemonsquirtle’s.

Roman J Israel, Esq (2017, dir. Dan Gilroy)

A socially-awkward lawyer faces troubles when he has to engage with the wider legal world. Though it doesn’t quite work as drama, there’s a lot to appreciate here, not least fine playing from its leads, and a bag of perhaps-unfashionable ideas about social justice.