Three Billboards Outside Ebbing, Missouri (2017, dir. Martin McDonagh)

A woman pursues justice for her murdered daughter. Offbeat black comedy-drama with little concession to likeability or straightforwardness. Hugely enjoyable, though, with great performances, and keeps always on the right side of quirky.

Want a second opinion? Here’s Lemonsquirtle’s.

Roman J Israel, Esq (2017, dir. Dan Gilroy)

A socially-awkward lawyer faces troubles when he has to engage with the wider legal world. Though it doesn’t quite work as drama, there’s a lot to appreciate here, not least fine playing from its leads, and a bag of perhaps-unfashionable ideas about social justice.

The Terminal (2004, dir. Steven Spielberg)

After a bureaucratic foul-up leaves him stateless, a man is forced to live in an airport terminal. Well-directed comedy-drama which starts brilliantly and then gets bogged down in sub-plots and a shift from existential malaise to schmaltz.

The Founder (2016, dir. John Lee Hancock)

A middle-aged salesman has a burger-bar epiphany. Sly biopic of McDonald’s eminence grise Ray Kroc, which tricks you into thinking it’s all apple pie and big smiles, when the movie’s really somewhere between Raging Bull and Elmer Gantry. Recommended.