A woman pursues justice for her murdered daughter. Offbeat black comedy-drama with little concession to likeability or straightforwardness. Hugely enjoyable, though, with great performances, and keeps always on the right side of quirky.
Want a second opinion? Here’s Lemonsquirtle’s.
A socially-awkward lawyer faces troubles when he has to engage with the wider legal world. Though it doesn’t quite work as drama, there’s a lot to appreciate here, not least fine playing from its leads, and a bag of perhaps-unfashionable ideas about social justice.
An FBI agent and a CIA torturer clash over the questioning of a terrorist. Low-budget but decent moral quandary thriller with some effective performances though ultimately no real answers.
After a bureaucratic foul-up leaves him stateless, a man is forced to live in an airport terminal. Well-directed comedy-drama which starts brilliantly and then gets bogged down in sub-plots and a shift from existential malaise to schmaltz.
Meanderring tale with a borrowed plot. An aged Willis stumbles around Venice Beach in a pastiche of himself. Billed as a comedy, with the only laughs coming from how shoddy this films looks now. Might have been a hit in 1994. Dull and tiresome. 😦
A middle-aged salesman has a burger-bar epiphany. Sly biopic of McDonald’s eminence grise Ray Kroc, which tricks you into thinking it’s all apple pie and big smiles, when the movie’s really somewhere between Raging Bull and Elmer Gantry. Recommended.
Chicago women refuse sex to their menfolk to make them end their gang war. A spectacular reworking of Aristophanes’ ancient Greek play Lysistrata, the told-in-rhyme Chi-Raq is an urgent reminder that Spike Lee is one of the US’s finest modern filmmakers.