Cementing Nolan as one of the best directors working today, this is an incredible film. Surprisingly lean, this is still powerful stuff. Entirely lacking in sentiment, the depiction of the Dunkirk escape is both terrifying and unbearable. Amazing stuff.
Chapter 7 in the Skywalker saga. This rebooted SF/fantasy is a calculated pleasure, riffing on no end of series themes and on the structure of the 1977 movie in particular. Slightly soulless, but a decent reintroduction to the mythos.
A bereaved father vows to get revenge on the drone operator who killed his family. Flawed (too soapy in places) but nevertheless interesting drama about the moralities of surveillance, drone usage, and private military contracting. Strong performances throughout.
Still defying all expectation, this evolution of the story is a far more direct affair, with a simple revenge plot driving the action forward. Superlative characters, beautifully shot; this series is an example to all how to handle a major franchise.
A handyman believes he’s on a mission from God to kill Osama Bin Laden. Shrill semi-improvised comedy based on a true story, with Nicolas Cage turning in an unrestrained performance. Inevitably, a couple of good moments, but there’s a lot of shouting to sit through.
Impeccably crafted WW2 drama set during the heroic and traumatic events of Dunkirk. Nolan directs with subtlety and command of his craft. Strong performances all round. Brilliant!
Jones goes in search of his lost father, and the Holy Grail. The third Jones adventure is a sparkling comedy with heaps of good set-pieces and a tongue-in-cheek sensibility. Some iffy early CG and plotting aside, this is rip-roaring stuff, though the lightest in the series.