A US submarine captain attempts to prevent a rogue minister-led coup in Russia. Old-fashioned military thriller aping the likes of Tom Clancy. Not bad while its on, though there’s not one surprise; a game cast of character actors play the material straight.
Superior genre collision sees WW2 France become the setting for Nazi horror. This works mostly because it plays it straight throughout, lending a sense of weight to the schlocky second half. Great FX, excellent performances. One to watch, for sure.
A neolithic man seeks revenge on the marauders who killed his family. Splendid prehistoric Western, using genre tropes to comment on grief, loss, religion and human relations with the natural in all kinds of interesting ways. Recommended.
A dramatisation of the hunt for and killing of Osama Bin Laden. Sober and focused, with an eye for detail and on the selling of its version of events as truth through the use of faux documentary techniques, this works as an intelligent thriller throughout.
In 1944 Italy, a US army troop behind enemy lines find a crashed spaceship. Engaging-enough low-budget SF/horror/war hybrid, with a witty script and a keen sense of its modest production values.
Dramatization of an infamous 1976 plane hijacking, and the subsequent rescue mission. Even-handed but glum retelling which doesn’t know how to approach its subject, meaning the end result is neither political allegory, action drama or straight history. Disappointing.
A small group of rebels try to steal the plans to the Death Star. Superior side mission from the Star Wars universe, answering a small plot question from the 1977 movie. By no means essential, but nevertheless rousing space opera fun, and lovingly designed.
Want another view? Here’s Xussia’s tuppenceworth.