Casablanca (1942, dir. Michael Curtiz)

A US expat nightclub owner has his neutrality threatened in wartime Morocco when confronted by his ex-lover. Splendid wartime romance/film noir/political allegory balancing cynicism, comedy and menace in equal measure. Loads of fun.

Overlord (2018, dir. Julius Avery)

1944 France. A US squad behind German lines encounter a supersoldier programme. Well-mounted horror/military action hybrid that doesn’t quite make the most of its well-worn B-movie premise, but is great to look at and has an appealing young cast.

And here’s Lemonsquirtle’s POV.

Hunter Killer (2018, dir. Donovan Marsh)

A US submarine captain attempts to prevent a rogue minister-led coup in Russia. Old-fashioned military thriller aping the likes of Tom Clancy. Not bad while its on, though there’s not one surprise; a game cast of character actors play the material straight.

Iceman (2017, dir. Felix Randau)

A neolithic man seeks revenge on the marauders who killed his family. Splendid prehistoric Western, using genre tropes to comment on grief, loss, religion and human relations with the natural in all kinds of interesting ways. Recommended.

Zero Dark Thirty (2012, dir. Kathryn Bigelow)

A dramatisation of the hunt for and killing of Osama Bin Laden. Sober and focused, with an eye for detail and on the selling of its version of events as truth through the use of faux documentary techniques, this works as an intelligent thriller throughout.

Zone Troopers (1985, dir. Danny Bilson)

In 1944 Italy, a US army troop behind enemy lines find a crashed spaceship. Engaging-enough low-budget SF/horror/war hybrid, with a witty script and a keen sense of its modest production values.