A group of English archaeologists are targeted for revenge killings by an Egyptian priest. Dated, stage-bound, though still enjoyable minor Hammer horror movie, assembling its script from across the Universal flicks. Interestingly, the villain’s motives now appear perfectly reasonable, even if his methods are extreme.
A scientific expedition to the Himalayas becomes a hunt for the fabled Yeti. Marvellous fantasy-horror hybrid, expanded (and simplified somewhat) from Nigel Kneale’s BBC drama The Creature. Lots of ideas played with, great production values, and lovely widescreen – Regalscope AKA Hammerscope – cinematography and staging.
A condemned nobleman scientist confesses his experiments in human reanimation. Sensational in its time, this first Hammer gothic literature adaptation not only offers a template for two decades of productions, but still works in dramatic and genre terms, with direction, lead performance, and art direction all standouts.
Frankenstein, hiding out in a lunatic asylum, takes on a young disciple. The last of the Hammer series is an okay entry, hampered by over-familiarity and a poorly-designed creature, but with some nifty moments and Cushing’s typically meticulous performance.
An orphaned farmhand finds he is the chosen one to lead an intergalactic rebellion. Splendid and modest SF/fairy story hybrid, unfairly weighed down by later expectations. In its own terms, a sprightly and successful adventure, nothing more.
In modern-day London, Dracula is behind an establishment conspiracy to unleash a plague epidemic. Modish late series entry, with loads of ideas, and an approach drawing on SF and a Bond villain plot. Fun, within its limitations, and impeccably played.
Five men on a train have their fortunes told by the mysterious Dr Schreck. The first Amicus horror anthology is tremendous, mixing classic tropes with modish 60s pop culture, delivering a suite of chills and thrills backed up by expert playing from an unparalleled ensemble cast.