Constantine (2005, dir. Francis Lawrence)

A damned occultist battles a demonic attempt to take over the Earth. Fun apocalyptic fantasy-horror-action hybrid, loosely based on the Hellblazer comic. Lots to enjoy, though over-reliance on CG softens the film’s impact.

The Debt Collector (2018, dir. Jesse V. Johnson)

A desperate-for-money martial arts instructor takes a job as a  debt collector. Okay thick ear, with a fight every 5 minutes and some comic moments. Old-school in many ways, and with a tacked-on plot that doesn’t quite work, but reasonable fun for fisticuffs fans.

Molly’s Game (2017, dir. Aaron Sorkin)

The true story of Molly Bloom, who ran high-stakes poker games in New York and LA. Excellent drama, balanced by a fine central performance and swaggering writing, chronicling a perhaps typical rise and fall-style story, but done with class and confidence.

Alternative view here

Roman J Israel, Esq (2017, dir. Dan Gilroy)

A socially-awkward lawyer faces troubles when he has to engage with the wider legal world. Though it doesn’t quite work as drama, there’s a lot to appreciate here, not least fine playing from its leads, and a bag of perhaps-unfashionable ideas about social justice.

Escape From LA [AKA John Carpenter’s Escape From LA] (1996, dir. John Carpenter)

Snake Plissken is compelled to rescue a gadget from what is now the island prison of Los Angeles. Campy though large-scale reprise of the 1981 predecessor. Some moments work, but this is lesser Carpenter, and a film blighted by woeful CG.

Escape Room (2017, dir. Will Wernick)

Four friends visit an escape room; except they’re trapped with a malevolent entity. Low-budget horror that riffs neatly on a current trend, and works well to hide its many borrowings (everything from Hellraiser to Saw). Not great at all, but some interesting moments.

Swordfish (2001, dir. Dominic Sena)

A brilliant ex-hacker is coerced into a heist being orchestrated by a paramilitary group. Glossy but dumb-as-rocks tech thriller with the usual hacking visual cliches and an eye on spectacle (Bullet-time explosions! Nudity! A bus in midair!) over logic.