An assassin tracks those who killed her mentor. While the script gets bogged down in backstory and complications, there’s a sense of unfussy confidence in the direction, action choreography, editing, and stuntwork that makes this a worthwhile watch. A decent – if to-type – cast helps. Some corners cut in production design don’t help.
A socially-awkward boy gets a robot companion, except it’s malfunctioning. Generally straightforward (there’s some interesting darker edges and jokes) CG animation E.T. variant, that’s well-made if not really distinctive enough to set it apart from the likes of Big Hero 6 or The Mitchells Vs The Machines.
A blind veteran protects a child from home invaders. Undeniably stylish and well-made horror/thriller sequel, though one with daft plot developments and a grimy aftertaste that takes it into torture porn territory. Nevertheless, director Sayagues is a talent: let’s hope there’s a more balanced script next time out.
A Columbian family fractures when their magical powers weaken. Great-looking but derivative animation with too much tickbox Disney stuff, saddled with dull songs. Moments amuse, and the small scale gives focus, but there’s nothing here that Moana or Coco didn’t do ten times better.
Convicted DC supervillains are recruited to undertake a covert mission. Splashy flip splattery slapstick action comedy sequel, developing into a Ghostbusters variant. Some poetic moments help, though the crowded cast needs more time to breathe than can be given here.
A rookie cop gets caught between a hitman and a conman in a locked-down police station. Fun little action thriller that doesn’t focus enough to be a minor classic, even if there’s some badassery and two great performances. Almost there, but not quite.
Astronomers struggle to get the government and the media to engage with an extinction-level event. Patchy and overlong Trump-era satire: when it hits, it hits hard, but there’s about 45 minutes too much baggy stuff here. More focus needed: that said, there are some game performances and a great song.
Thieves try to steal contraceptive pills from a maternity hospital. Fourth and last of the medical-themed Carry On flicks, this is a very straightforward farce with every pregnancy gag in the book ticked off, and with crossdressing opportunities cheerfully embraced.
Archaeologists stay on a caravan site while completing their dig. Late series entry and part of the holiday cycle of 70s Carry Ons, riffing on 1969’s Carry On Camping. Familiar ingredients and jokes are reused: by now the formula is worn thin, though a couple of strong gags sneak by the slapstick and leering.
An unmarried couple runs a computer dating agency: complications ensue. Sketch-based sex farce, somewhat coarser than the series to date, trying to balance Carry On ingredients and archetypes with broader material. Patchy at best, though the commitment to the single entendre is almost impressive.