A reclusive ex-cop is hired as a PI to help an alcoholic TV star accused of murder. Slightly baggy adaptation of Howard Michael Gould’s fun Hollywood comedy-thriller: casting is spot-on (though Mel Gibson could have done more to lean into his reputation), but flat direction means the zip isn’t there to make this fly.
An LA slacker investigates a neighbour’s disappearance: he soon spirals into a web of conspiracy. In the overlap of the Hitchcock / Pynchon / Paul Thomas Anderson Venn diagram, this 2011-set shaggy dog neo-noir is more a vibe than a movie: there’s indulgent pleasures along the way, but don’t expect a cohesive story.
Multiple parties search for the source of a New Orleans street drug, which grants a superpower for five minutes. Flashy and confident if superficial mashup of Limitless and the 70s TV show Gemini Man. Plenty of incidental fun tho, especially in the first two acts.
French and Sue go to Las Vegas on the promise of a payday. DTV martial arts comedy-thriller sequel that’s a cut above. The mix of bickering and bar fights as before, though there’s some panache in the direction, the action choreography, and the chemistry between the leads. Recommended for genre fans.
A London-based drug dealer’s empire is threatened by rival forces and a blackmailer. Fourth and about the best of Ritchie’s gangland comic fantasies. Familiar ingredients and approach, but handled with verve throughout. Everyone’s in on the joke, not least standouts Colin Farrell and Hugh Grant.
Two Chicago cops vow to bring down a drug dealer before their early retirement to Florida. None-more-80s buddy cop comedy-thriller, bolstered by engaging leads with real charisma, and with great cinematography. Dated in places, and the script’s riddled with genre and other cliches.