The Post (2017, dir. Steven Spielberg)

The Washington Post battles to source and then publish revelations about the Vietnam War. Effective journalistic thriller, which works as a prequel to All The President’s Men and as a contemporary allegory. Good performances all round, especially from Streep.

Eat Locals (2017, dir. Jason Flemyng)

A vampire gathering is interrupted by an army/cleric hit squad. Slightly ramshackle low budget comedy-horror with a clear debt to Dog Soldiers, this just about gets by on its game cast of familiar faces, plus plenty of ideas, not all of which get a fair shake.

Wall-E (2008, dir. Andrew Stanton)

A beat-up robot falls in love with a sleek new model. Superior SF comedy/romance from Pixar; the last hour is knockabout fun with an environmental/healthy living message, but the first 30 minutes is a sublime silent (apart from music from Hello, Dolly! of all things) movie of its own.

Let Her Out (2016, dir. Cody Calahan)

A young woman finds she is possessed by her unborn twin, growing as a tumour in her brain. Grubby little horror pic with decent gore effects, but with a glum premise, iffy interior logic, a queasy and wholly unjustified focus on rape, and an unravelling storyline.

King Cohen (2017, dir. Steve Mitchell)

Documentary offering a career retrospective of writer/director Larry Cohen. And an utterly splendid thing it is too; Cohen is engaging and forthright, and a blend of clips, archive footage, and interviews underlines Cohen’s significance to genre. Well worth your time.

Sequence Break (2017, dir. Graham Skipper)

A shy video game repair shop worker finds a strange circuit board containing a mesmerising new game. A homage to Cronenberg/Tsukamoto-ish body horror which doesn’t quite know what do do with its premise, and so goes the freakout route.