A fairytale princess is magically transported to present-day New York. Excellent musical rom-com which satirises and celebrates Disney animated fairy stories at the same time. Lots to enjoy: great songs, fine performances, a keen sense of self-awareness, and no little affection for its subjects.
In 1979, a student has romantic adventures in the Med; this links with the present. Both sequel and prequel to Mamma Mia!, this ABBA-based jukebox musical is part-reprise, part deconstruction. More fun than the first, and as impermeable to criticism as its predecessor. You’ll either love it, or be baffled.
A free-spirited woman compels a once-clean-cut GI to go AWOL. A World War II-era retelling of Bizet’s Carmen with an all-black cast, retaining the music but with updated lyrics. A film version of a famous stage adaptation; this sacrifices drama for a lighter touch until the third act, but is nevertheless an engaging oddity.
Filmed record of Talking Heads live, from the 1983 Speaking in Tongues tour. Shot over four nights, this is perhaps the greatest single concert movie; a project designed by people with cinematic, musical, theatrical and gig awareness. Recommended, even if you don’t care for the Heads‘ nerd-art-funk.
A delicate and moving bio-pic highlighting Freddie Mercury and Queen’s journey from humble beginnings to Live Aid. Incredibly constructed, stunning performances and a reminder of how tragic losing a character like Freddie was. Beautiful!
A musical about showman PT Barnum. That rarest of things these days – an original live-action movie musical. You’ll either love it or hate it, that’s for sure. Good-looking and well made, but goes for the simple and easy trick every time. Eyes and teeth!
Six tales of the Old West, each taller than the last. Splendid Western anthology, packed full of quirky moments and character actors, with a few stars plainly having fun. Not exactly commercial, though; Netflix is a good home for this Coen brothers confection.