Bond teams up with an NSA agent to uncover the truth about a conspiracy involving conflict diamonds and North Korea. Fourth, last, and least of the Brosnan Bond flicks. The central performance is good, but the script is a lazy series of puns and there’s an over-reliance on iffy CG throughout.
A treasure seeker is in a race against time to find a fabled hoard. Daft but hugely enjoyable chase and puzzle-based comedy-thriller, riffing off Dan Brown, Indiana Jones, and Mission: Impossible equally. Lots of fun if you’re in the mood.
Siblings journey to the family’s remote holiday home where their brother may be going mad. Not-bad psychological horror which takes an SF/military experiment route than the usual haunting or serial killer options. Falls apart in act 3, tho Larry Fessenden pops up.
An Arctic scientific expedition is used as cover for different factions searching for old U-boat pens and Nazi gold. Great location work and impressive sets, plus a strong cast, enliven this otherwise-talky thriller adapted from an Alastair MacLean novel.
Dredd is framed in a revenge conspiracy and loses his Judge status. Patchy first attempt at the iconic 2000AD character, with twice as many daft ideas as good ones. Some striking moments, though, and some still-impressive design and effects work.
A geological event threatens global disaster. Another of Emmerich’s gently-satirical throw-em-to-the-lions iconoclastic pictures, this time playing with Mayan prophecies and CG tectonic plates shifting. Fun if you go with it.
Peter Morgan’s adaptation of his own play about the 1977 David Frost/Richard Nixon TV interviews. A riveting docudrama which plays like a thriller, anchored by two standout performances in the title roles, supported ably by a strong cast. Recommended.