Mission: Impossible: Rogue Nation (2015, dir. Christopher McQuarrie)

Ethan Hunt and the disavowed MI team track down a terrorist organisation named The Syndicate. Slick, expansive and fast. The series high-point to date, with a breakout performance from newcomer Rebecca Ferguson.

Want another review? Here’s Lemonsquirtle’s thoughts.

Lowlife (2017, dir. Ryan Prows)

A masked failure tries to live up to the fabled reputation of his father. LA-set black comedy crime drama, involving human organ theft, kidnapping, Luchadors and gun-toting motel owners. Not for everyone, but a confident and at times affecting violent entertainment.

Safe (2012, dir. Boaz Yakin)

A hunted ex-cop and a young girl with mob secrets go on the run together. Terrific New York chase thriller, balancing stunts, action and rock-solid fight choreography together to make a daft but supremely entertaining package. For genre fans, but highly recommended nevertheless.

Paycheck (2003, dir. John Woo)

An industrial spy leaves himself clues to solve the crimes of which he’s now accused. An SF twist on a Hitchcock plot (based on a Philip K Dick story), this lumpen chase thriller gets bogged down early and doesn’t relax into what Woo – when unrestrained – does best.

Sicario 2: Soldado (AKA Sicario 2: Day of the Soldado) (2018, dir. Stefano Sollima)

Graver enlists Alejandro once more; this time to start a war between cartels. A focus on people trafficking rather than drugs second time around; terrifically stylish and well-executed, if flirting with some reactionary ideas.

Red Sparrow (2018, dir. Francis Lawrence)

A Russian ballerina is recruited by her uncle into an elite spy training programme. Good-looking but deathly slow melodrama which pretends the Cold War is ongoing. Plenty of solid character actors with silly accents in European cities doing double-crosses.

Tomb Raider (2018, dir. Roar Uthaug)

A bike courier/heiress follows clues left by her missing father to a forbidden tomb. OK series reboot with plenty of action, chases and the usual set-piece puzzle lair supernatural finale. Nothing new, but competently done, with a good central performance.

Another perspective required? Here’s Xussia’s review.