A woman who controls her extreme anger issues via a high-tech electrical device investigates a murder. Poor sub-Crank action-comedy: a decent cast helps (several in one-set cameos), but (some OK) quips, poor action, over-direction, the world’s most guessable villain, and stagey visuals don’t. Feels like a TV pilot: has that Nu Boyana aesthetic.
The final part of the trilogy: events and characters between 1994 and 1666 are linked. A messy finale saddled with an offstage villain, variable accents, a weird lack of interest in its potentially-good ideas, and an hour of padding. Not great at all: precisely one interesting visual moment.
Teens in a rundown community are attacked by the latest incarnation of a cyclic horror. The first of a linked trilogy, this feels like a feature-length series opener, though settles after lumpen exposition into an OK riff on Scream via IT, while promising a more involved story. A fresh cast helps, though there’s nothing particularly new here.
Trucker brothers transport key equipment over treacherous ice roads to rescue trapped miners. Straightforward thriller with action elements, riffing on Hawksian reality TV and The Wages of Fear. Somewhat perfunctory in plotting and direction, though a decent cast, location shooting, and some character elements add value.
An ex-cop investigates the disappearance of a friend’s teen daughter. Dazzling in parts, this long, uneven but ambitious and compelling horror-ish movie is well worth your time and patience. Genre fans will know where it’s going, but there’s great stuff throughout, and James Badge Dale is as terrific as ever.
A laconic drifter battles possessed animatronics in a children’s amusement attraction. While not quite as much fun as its Five Nights at Freddy’s-ish premise indicates, this mashup of The Banana Splits Movie and Cabin In The Woods just about earns its keep. Cage is Cage as ever, and here that’s a good thing.
A special forces soldier seeks revenge on the agents who kill his wife. Sub-par military actioner intended to be a franchise-starter. A terrible script, lacklustre action, and variable playing (only Jodie Turner-Smith stands out) plus that European backlot aesthetic. A couple of visually-interesting moments, but that’s it.
A doctor investigating environmental harm in Maine finds that pollution is causing animal mutations. Daft, naive, though well-meaning studio eco-horror juggling post-Jaws monster mayhem, evil corporations, First Peoples legends, white saviour storytelling, and some fun effects and stunt work. A big ol’ mess.
Mismatched former best friends become superheroes after a laboratory mishap. Perhaps the most perfunctorily-plotted movie in recent history. McCarthy reprises her brash/embarrassed working class schtick, and there’s a few decent song-based jokes. A strong cast helps: Jason Bateman’s enjoying himself.
An SAS officer is caught in a Channel Tunnel train hijack overseen by disgruntled mercenaries. Boorish, overlong action thriller that’s both hideously contrived and has some properly dumb ideas. A decent TV-ish cast and some effective stunt work help, but this is clunky, obvious stuff throughout.