Assassination Nation (2018, dir. Sam Levinson)

Four high school girls are targeted by a vigilante posse after a data hack tears a town apart. Stylish and confident Trump-era satire, equal parts The Purge sequels and God Bless America. More set-up than an actual fully-fledged movie, this nevertheless has lots to recommend it if you go with it.

Angel Has Fallen (2019, dir. Ric Roman Waugh)

A veteran secret service agent goes on the run after he’s framed for a presidential assassination attempt. Third and best of the Gerry Butler actioners, this is reliable thick ear entertainment with some quality villainy from Danny Huston, and some excellent stuntwork (tho some iffy lighting of greenscreen studio space). Fun while it’s on.

Want another perspective? Here’s Xussia’s twopenceworth.

Alien: The Director’s Cut (1979/2003, dir. Ridley Scott)

The 2003 re-edit (actually shorter than the 1979 original version) reinstates some scenes, clarifies some plot and character points and removes others (Ash is no longer a recent crew addition, and so the conspiracy element is toned down). By no means essential, but a chance to marvel again at this still-influential movie.

Terminator: Genisys (2015, dir. Alan Taylor)

Time-travelling freedom fighters attempt to prevent a digital apocalypse in near-future (2017) San Francisco. Muddled series reboot saddled with awkward plotting, key unanswered questions, and too many borrowings. Only JK Simmons brings some fun in support.

The Woods (2006, dir. Lucky McKee)

A rebellious teen with latent psychic powers finds herself in a sinister all-girls boarding school. A well-paced 60s-set supernatural tale that does what you might expect, but with some class and style.

Triple Threat (2019, dir. Jesse V Johnson)

Mercenaries accidentally free a terrorist. This gleeful team-up of multiple DTV action stars doesn’t quite hang together in story terms, but there’s no doubting the fun to be had if shootouts, martial arts combat and fistfights are your thing.

Mary Queen of Scots (2018, dir. Josie Rourke)

A dramatisation of the rivalry between Mary of Guise and Elizabeth of England. Goodlooking though talky and obvious historical retelling, neither drama nor straight history lesson. A couple of nice moments, and there’s strength in the visuals and the cast, but the script is the problem here.