Spenser Confidential (2020, dir. Peter Berg)

A Boston ex-cop, fresh from jail, partners with his new roommate to unravel the conspiracy that led to his imprisonment. A loose adaptation of a post-Robert B Parker Spenser novel, and not a good one. A by-the-numbers comedy thriller that doesn’t do its characters justice, despite a decent cast.

The Invisible Man (2020, dir. Leigh Whannell)

A domestic abuse survivor believes her supposedly dead ex-partner is still tormenting her. Superior if contrived genre flick that uses its slightly awkward premise to make some relevant points before kicking into full-on gear late on. Not sure the climax plays wholly fair, but the movie works well, in no small part due to smart direction and its lead.

Harry Potter and the Deathly Hallows – Part 2 (2011, dir. David Yates)

Matters converge: a final stand at Hogwarts against Voldemort. The last part of the eight-film cycle delivers in terms of epic action sequences, resolutions for characters followed over multiple movies, and a decent coda; no real surprises, and nothing for outsiders, which is perhaps as it should be.

Harry Potter and the Deathly Hallows – Part 1 (2010, dir. David Yates)

Harry and friends, now on the run, must destroy the magical items sustaining Voldemort. The first half of the final novel – more or less – is a decent chase adventure, with a darker tone than before; the splitting of the source material allows for pacing to be improved, through the structure necessitates a forced cliffhanger bridge to Part 2.

Harry Potter and the Half-Blood Prince (2009, dir. David Yates)

Battle lines are drawn between Voldemort’s followers and others; Harry’s studies are supported by a mysterious textbook. Decent series entry, concerned with putting pieces in place for the final conflict. Not really a stand-alone movie, but series fans won’t mind that at all.

Harry Potter and the Order of the Phoenix (2007, dir. David Yates)

Voldemort’s rise develops; a fightback begins. Middling fifth instalment treading water between the establishment of the nemesis as a real threat, and its crystallisation; meanwhile, Hogwarts is put into special measures. Okay for fans, and well-enough done, but no classic.

Harry Potter and the Goblet of Fire (2005, dir. Mike Newell)

Harry is mysteriously selected to take part in a wizarding tournament at Hogwarts. Fourth and perhaps the best of the sequence, balancing a stand-alone story with the developing Voldemort narrative. Little for series entrants, but a confident and well-made movie for fans of the books and the films to date.