Wolves At The Door (2017, dir. John R Leonetti)

A group of friends are attacked in their LA home. Odd recreation of the Manson Family murders. Though technically competent, it barely stretches to an hour’s running time and does little except an extended stalk-and-slash sequence rendered pointless and tasteless by its real-life contexts.

The Ruins (2008, dir. Carter Smith)

Vacationing students journey to a ruined Mayan temple to find missing friends. Modest but effective horror flick, handled with some care and attention. Makes the most of what’s essentially a single setting, and doesn’t try to over-explain, or overstay its welcome

Spider-Man: Into the Spider-Verse (2018, dir. Bob Persichetti, Peter Ramsey & Rodney Rothman)

Miles Morales is bitten by a radioactive spider and gains superpowers, but he’s not the only Spider-Man. Visually impressive and engaging (though overlong) comic book story that emulates the reading experience as well as offering both fan service and deconstruction. Huge fun for the most part, though.

Deadwood [AKA Deadwood: The Movie] (2019, dir. Daniel Minahan)

Over a decade has passed since the events of the TV series, and Swearengen, Bullock and others have to face up to their pasts and their futures. Elegaic return to a splendid unfinished TV show that does the original justice. Recommended.

Robin Hood: Prince of Thieves (1991, dir. Kevin Reynolds)

Returned to England from the Crusades, a nobleman finds his lands taken and himself declared outlaw. Messy big-budget version of the oft-told tale mixing action-adventure, hammy playing and black magic/folk horror in at-times awkward measure. Fun in places though.

The Perfection (2019, dir. Richard Shepard)

A former child prodigy cellist returns to her music school after a decade away. An excellent horror movie that plays with audience expectations in interesting ways, going into some deep dark places. To say more would be to ruin it. It feels most likeĀ Get Out, though is very different.

End of Watch (2012, dir. David Ayer)

Two LA patrol cops cross the paths of a street gang keen to make their mark. Excellent contemporary crime drama focusing on cop camaraderie. A semi-improvised approach and use of found footage give the movie texture, as does the rapport between the lead actors. Recommended.