Cooties (2014, dir. Cary Murnion and Jonathan Milott)

Teachers are held under siege when their summer-school pupils contract a deadly virus. Serviceable horror-comedy which gets some mileage out of a game cast and script, and from its gleeful approach to child-centric gore.

The Lost World: Jurassic Park (1997, dir, Steven Spielberg)

A rescue mission to a second island – where the original film’s dinosaurs were engineered – goes awry. Patchy sequel to the original, stronger on set-pieces than on logic or story, with borrowings from a dozen monster movies.

American Made (2017, dir. Doug Liman)

The story of Barry Seal, who smuggled for the CIA and the cartels in the 80s. Swaggering rise and fall biopic in the GoodFellas mould; hugely impressive and entertaining, while offering a reminder of another of the US’s recent murky pasts.

Another perspective? Here’s Lemonsquirtle’s take.

Family Blood (2018, dir. Sonny Mallhi)

A mother with addiction issues is turned into a vampire. Low-key vampirism-as-addiction drama which looks great, but too often mistakes sullenness for seriousness, and which doesn’t invest its characters with much depth or motivation.

All The Money In The World (2017, dir. Ridley Scott)

A dramatisation of the 1973 kidnapping of John Paul Getty III. Well-acted, good-looking though insubstantial retelling of a famous case; not quite a serious drama or a straightforward thriller, and the weaker for the indecision.

Valerian and the City of a Thousand Planets (2017, dir. Luc Besson)

Two elite agents work to uncover a dark secret at the heart of a gigantic space station. Clunkily-scripted and unevenly-acted but undeniably spectacular and well-designed SF fantasy; a $200m auteur piece, for good or ill, and all the better for its distinctiveness.

Another view? Here’s Lemonsquirtle’s thoughts.