Teachers are held under siege when their summer-school pupils contract a deadly virus. Serviceable horror-comedy which gets some mileage out of a game cast and script, and from its gleeful approach to child-centric gore.
A rescue mission to a second island – where the original film’s dinosaurs were engineered – goes awry. Patchy sequel to the original, stronger on set-pieces than on logic or story, with borrowings from a dozen monster movies.
A mother with addiction issues is turned into a vampire. Low-key vampirism-as-addiction drama which looks great, but too often mistakes sullenness for seriousness, and which doesn’t invest its characters with much depth or motivation.
A dramatisation of the 1973 kidnapping of John Paul Getty III. Well-acted, good-looking though insubstantial retelling of a famous case; not quite a serious drama or a straightforward thriller, and the weaker for the indecision.
Roth continues to remake films badly. This remake of a crap 1974 original sees cardboard Bruce Willis mumbling through a film lacking in any conviction. Occasional gore is mostly lost in one predicable shoot out after another. Piss poor at best!
Two elite agents work to uncover a dark secret at the heart of a gigantic space station. Clunkily-scripted and unevenly-acted but undeniably spectacular and well-designed SF fantasy; a $200m auteur piece, for good or ill, and all the better for its distinctiveness.
Another view? Here’s Lemonsquirtle’s thoughts.