The Core (2003, dir. Jon Amiel)

When the earth’s core stops rotating, a mission is assembled to restart it. Enjoyably daft and self-aware big-budget B-movie, with an excellent cast of character actors playing the dopey material with an eye to stay on the right side of camp always.

Beauty and the Beast (2017, dir. Bill Condon)

CG-tastic live-action remake of the 90s Disney musical animation. There’s a couple of new songs, but all this really adds is running time; a soulless moneyspinner that despite good performances does nothing that the original didn’t do a lot better.

Another opinion? Here’s¬†Xussia’s¬†thoughts!

The Huntsman: Winter’s War (2016, dir. Cedric Nicolas-Troyan)

Sidequel to 2012’s Snow White and the Huntsman, minus the first film’s lead. Oddball attempt to craft a continuation; good casting in depth helps a bit, but the story’s a secondhand grab-bag of old tales that have been better retold by others.

Pan (2015, dir. Joe Wright)

A prequel of sorts to JM Barrie’s Peter Pan. And not a very good one either. Some interesting production design, but that’s about it. A poor script, misjudged performances, and evidence of a post-production salvage attempt. A disappointment.

Okja (2017, dir. Joon-ho Bong)

A South Korean girl fights to keep her pet super-pig from the hands of a multinational corporation. Utterly enthralling ET/Pete’s Dragon variant for adults, drawing on Gilliam, Jeunet et Caro, early Besson, Buster Keaton and Studio Ghibli, yet is an original too.

The Last Witch Hunter (2015, dir. Breck Eisner)

An immortal witch-hunter tackles an ancient foe. At times well-directed, but this is nevertheless a muddled and uninvolving action fantasy effort which suffers from convoluted plotting, an underpowered villain, and decent actors phoning in performances.