Elsa and Anna have to leave Arendelle to find out the secret of Elsa’s powers and their family history. Overly-complicated sequel with OK though derivative songs, and reliance on goodwill from Part I to see things through. Some good moments, but second time around, this is no classic.
Matters converge: a final stand at Hogwarts against Voldemort. The last part of the eight-film cycle delivers in terms of epic action sequences, resolutions for characters followed over multiple movies, and a decent coda; no real surprises, and nothing for outsiders, which is perhaps as it should be.
A street thief falls for a princess; a magic lamp offers the opportunity to win her hand. Okay-as-far-as-it-goes live-action/CG remake of the 1992 Disney animation. A couple of new songs, Will Smith brings some pizazz as the genie, and a nice magic carpet gag; otherwise this is a product rather than a movie, and feels it at times too.
Voldemort’s rise develops; a fightback begins. Middling fifth instalment treading water between the establishment of the nemesis as a real threat, and its crystallisation; meanwhile, Hogwarts is put into special measures. Okay for fans, and well-enough done, but no classic.
Harry is mysteriously selected to take part in a wizarding tournament at Hogwarts. Fourth and perhaps the best of the sequence, balancing a stand-alone story with the developing Voldemort narrative. Little for series entrants, but a confident and well-made movie for fans of the books and the films to date.
Potter is threatened by a notorious escaped prisoner and ally of the Dark Lord. The third in the sequence is a touch darker, expanding the movie universe away from the quest-based adventures of parts 1 and 2. A step up all around, with confident direction, better effects, and actors maturing into their roles.
A prince has to rescue a princess to save their world. Oddball SF/fantasy hybrid, riffing on a hundred different fairy tales and genre tropes. Its quest narrative/road movie structure means that it’s inevitably patchy; some dark ideas intrude, though the imagination and budget available are ill-matched, and it’s tonally all over the place.