Entebbe [AKA 7 Days in Entebbe] (2018, dir. Jose Padilha)

Dramatization of an infamous 1976 plane hijacking, and the subsequent rescue mission. Even-handed but glum retelling which doesn’t know how to approach its subject, meaning the end result is neither political allegory, action drama or straight history. Disappointing.

We Bought A Zoo (2011, dir. Cameron Crowe)

A widowed father buys a run-down zoo, and battles to have it open in time for the summer. Sunny-enough feelgood comedy/drama/romance with absolutely no surprises but some neat moments and an impeccable – if over-used – soundtrack.

The Greatest Showman (2017, dir. Michael Gracey)

A musical about showman PT Barnum. That rarest of things these days – an original live-action movie musical. You’ll either love it or hate it, that’s for sure. Good-looking and well made, but goes for the simple and easy trick every time. Eyes and teeth!

Outlaw/King (AKA Outlaw King) (2018, dir David MacKenzie)

Robert the Bruce rebels against Edward I. Straightforward historical action drama in the Braveheart mould, with plenty of detail, production values aplenty and some gusto in the playing. Blood, mud and a trebuchet/mangonel device.

Molly’s Game (2017, dir. Aaron Sorkin)

The true story of Molly Bloom, who ran high-stakes poker games in New York and LA. Excellent drama, balanced by a fine central performance and swaggering writing, chronicling a perhaps typical rise and fall-style story, but done with class and confidence.

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