The ageing Laurel and Hardy reunite for a UK theatre tour, hopeful that this will restart their movie careers. Straightforward though handsome and respectful biopic of the black-and-white comedy legends, anchored by two exceptional lead performances and genuine affection for its subjects. Recommended.
An electronic virus drives parents to kill their children; one family home becomes a battleground. Brisk bad taste horror-comedy that gets in and out fast. Everyone is on fine form, and there’s the best use ever of a Erasure song in the movies.
A lowly museum attendant is mistakenly sent to Los Angeles as an art expert. Awkward expansion of the TV series, relying on embarrassment and slapstick in equal measure. Inevitably, some moments work (the supporting cast is great), but too much of this is simply unfunny sentimental gurning.
A reporter and two interns investigate a classified advert promising time travel. Lo-fi comedy that doesn’t outstay its welcome. Charming enough, with just a hint of sci-fi, and with fine performances all round.
Two Boston Irish brothers become vigilantes. Tatty post-Pulp Fiction gangster pic, more a series of set pieces than an actual linear movie. Some OK ideas along the way, and a couple of interesting performances, but this is three parts undisciplined mess to one part film.
A houseful of actors face the Apocalypse. Dumb-but-fun gross-out comedy with a bunch of moderately-famous people playing versions of themselves. Self-indulgent, but everyone is in on the joke and no-one gets harmed. Fine while it’s on.
A just-released thief puts together a jewel heist. Slick comedy-thriller with a few nods to the Clooney/Pitt/Soderbergh movies. Fun while it’s on, and everyone seems to be having a fine old time.