An alien warrior works to prevent a rival species from gaining a foothold on 1995 Earth. Slow-starting but generally entertaining superhero origin flick, wisely not overdoing its nostalgic comedy; the film’s hampered somewhat by the low-stakes storyline.
A puppet PI and his former partner team up to solve a series of murders. It nearly works, but the emphasis on gross-out humour instead of playing the Roger Rabbit-ish concept means that some good moments, decent playing and undoubted technical expertise all get lost.
A preppy junior FBI agent teams up with his estranged and unreconstructed PI father. Shaft 2019 is a scattershot culture-clash comedy, with action beats, a predictable plot, and a late nod to the 70s original trilogy. Tries to do everything, and ends up not meaning anything.
Tree finds out the reason for her time loop; but she’s trapped inside it again. Decent SF-tinged sequel to the Groundhog Day-aping original, this time with an expanded cast and a greater focus on humour throughout. No classic, but still fun and inventive enough to make Part 3 a welcome prospect.
The building of a remote sorority house disturbs an ancient evil. OK sequel that ties directly back to the first in the long-running series. Plenty of kills, some splattery gore, and a couple of reasonable gags, even if there’s little here for series newbies.
Agent J has to tea up again with Agent K to fight a new alien menace. Passable SF/comedy sequel. As with its predecessor, there’s more interest in its showy make-up effects and throwaway gags than either worldbuilding or story, tho Lara Flynn Boyle has fun as a vampish villain.
A mild-mannered accountant and a con artist go on a cross-country trip to prove the former’s innocence. Patchy road movie comedy that apes Midnight Run, but which – despite game playing by its leads – invariably resorts to cheap laughs and stock situations.