Mark Renton returns to Edinburgh, twenty years on. Confident sequel/reprise of the 1996 original. Plenty to enjoy and admire, even if there’s inevitably a spark of freshness missing.
An embittered US Army veteran is given the task of repatriating a dying Cheyenne chief. Handsome, sombre and occasionally po-faced Western with a straightforward message. Good performances, though not quite the epic it wants to be.
Robert the Bruce rebels against Edward I. Straightforward historical action drama in the Braveheart mould, with plenty of detail, production values aplenty and some gusto in the playing. Blood, mud and a trebuchet/mangonel device.
A man is forced to re-evaluate his life after volunteering to be miniaturised. Quirky fantasy which can’t work out if it’s social satire, science fiction, or romance, but has a go at all three. Defiantly odd, though, which is no bad thing.
An actress finds stage fame against adversity, but is troubled by success. Broadway melodrama typical of its director, dealing with issues of race, gender and of class, while also working to present a star vehicle. Of its time, but fascinating, and hugely enjoyable.
A kidnapped daughter leads her brother to infiltrate the cult responsible. That sets the scene for an escalating series of events that has more in common with Evans’ VHS2 segment and the game Resident Evil 4. Recommended, but be prepared for madness.
A Russian ballerina is recruited by her uncle into an elite spy training programme. Good-looking but deathly slow melodrama which pretends the Cold War is ongoing. Plenty of solid character actors with silly accents in European cities doing double-crosses.