A remorseless demon stalks an immortal holding the last key to humanity’s survival. Under-appreciated siege horror-comedy linked (vaguely) to the EC comics. A game diverse ensemble cast of character things jolly things along, supported by excellent direction. Unpretentious fun.
An ancient vampire is resurrected; he vows to restore the family fortunes. Gothic comedy-horror revival of the 60s TV series. Initially very funny, but soon collapses as there’s not much story, and the film runs out of culture-clash gags. Looks great, though. Minor Burton, alas.
A rural couple is kidnapped by cultists, triggering a revenge spree. Dazzling and trippy horror/road movie hybrid, set in a stylised 1983. A movie with its own rules that fully rewards going with it and its excesses, in both narrative and visuals. Recommended.
A mute cleaner falls in love with a humanoid aquatic creature being held in a government research laboratory. Dazzlingly confident romantic fantasy with SF/horror touches. Amelie meets The Creature From The Black Lagoon with a bit of Little Voice. Highly recommended.
Still traumatised by the events of Part IV, the now-adult Danny wonders if he is responsible for a new series of killings. Undistinguished mid-series entry; Part V tries some fresh ideas, but mostly settles for a high body count and gratuitous female nudity.
A widowed doctor is hired to prove that the eccentric owner of a weapons company is insane. Handsomely-mounted jumpscare horror that doesn’t find much to do with its based-on-a-true-story premise, so settles for a few boos and no eews. Disappointing, given the talent involved.
Almost shot-for-shot remake of the 1960 Hitchcock classic of the same name. An odd thing to attempt, and one which flags up the uniqueness of the original, despite (and maybe because of) a solid cast and respectful treatment of the first movie.