The Void (2016, dir. Steven Kostanski & Jeremy Gillespie)

A closing-down hospital comes under siege from cultists outside, and from monsters within. 80s-tastic lo-fi splattery horror, riffing on multiple John Carpenter movies and others, not least Phantasm. Plenty of fun in its own right, even if it tends to go for striking images over consistency in character and story terms.

Here’s the trailer.

And here’s Lemonsquirtle’s review.

3022 (2019, dir. John Suits)

A long-haul mission space station crew fractures when Earth is destroyed. Talky SF pic that wants to be both Solaris and Gravity but can’t settle, trying for both thriller and psychological study to variable effect. Some effective use of a decent cast and limited resources, but the scattershot scripting fluffs the ending, which is a shame.

Here’s the trailer.

Alien Parasite [AKA The Dustwalker] (2020, dir. Sandra Sciberras)

A remote Australian desert township is attacked by extraterrestrial parasitic organisms. SF/horror that has a pleasing Outback Western feel and which starts well, but soon descends into badly-scripted and underpowered wholescale genre theft. A shame, as there’s glimmers of a much better film here.

Here’s the trailer.

Transformers (2007, dir. Michael Bay)

A teenager finds he has crucial knowledge that might prevent an intergalactic war between battling robot armies. Spectacular – in the Debordian sense – SF comedy with excellent technical credits, but shot like the fever dream of a Sunny D-addled child. Excessive, and with a nasty after-taste. Four direct sequels followed.

Here’s the trailer.

Hollow Man (2000, dir. Paul Verhoeven)

An arrogant scientist unleashes his dark side when invisibility experiments go wrong. While lacking the satiric edge of Verhoeven’s best US SF-infused work, this is still a fun, well-resourced and knowingly sleazy horror flick, with all involved operating effectively, showcasing still-impressive effects work..

Here’s the trailer.

Higher Power (2018, dir. Matthew Charles Santoro)

A self-destructive father is targeted because of his unique DNA. Awkward and clumsy low-budget oddball superhero/metaphysical drama. Functions rather better than a CG effects showcase than as a movie, despite reliable villainy from Colm Feore.

Here’s the trailer:

Star Trek: Generations (1994, dir. David Carson)

A temporal anomaly brings Picard and Kirk together in uniting against a common temporal foe. Awkward series entry passing the movie baton to the Next Generation crew. Televisual story and handling, though, with a low-key exit for Kirk. For completists only.

Here’s the trailer.

Aliens vs. Predator: Requiem [AKA AVPR: Aliens vs Predator 2 – Requiem] (2007, dir. The Brothers Strause)

A Predator attempts to clear an alien infestation of a Colorado town. Banal direct sequel to Alien vs. Predator, oddly combining high-school slasher tropes with full-on monster mayhem. Dumb, visually murky and nigh plotless, though a couple of transgressive ideas lurk. A franchise low.

Here’s the trailer.

Alien vs. Predator [AKA AvP: Alien vs. Predator] (2004, dir. Paul WS Anderson)

A mysterious Antarctic pyramid structure is linked to ancient alien hunting rites. Comic book-style franchise mashup with the focus on action and startling images rather than on SF horror. Not for purists, but well-resourced entertainment nevertheless with a stirring lead and great casting in depth.

Here’s the trailer.

James vs. His Future Self (2019, dir. Jeremy LaLonde)

A socially-awkward physicist is visited by a future version of himself. Smart little romantic comedy with SF elements. Crucially, it doesn’t overplay the time travel elements, but uses them to tell a straightforward but charming story. Recommended.

Here’s the trailer: