A beat-up robot falls in love with a sleek new model. Superior SF comedy/romance from Pixar; the last hour is knockabout fun with an environmental/healthy living message, but the first 30 minutes is a sublime silent (apart from music from Hello, Dolly! of all things) movie of its own.
Decent-enough adaptation of the Douglas Adams radio series/book/TV show which suffers – inevitably – from over-familiar source material; the new stuff works best. The cast works hard, production design is great, and there’s a sense of affection for the material and Adams throughout.
Chapter 7 in the Skywalker saga. This rebooted SF/fantasy is a calculated pleasure, riffing on no end of series themes and on the structure of the 1977 movie in particular. Slightly soulless, but a decent reintroduction to the mythos.
A mother’s secret identity may be mixed up with an ancient artefact. Oddball SF/horror that tries to do zombie movie, family secret flick, and an existentialist SF movie all in one. The whole thing collapses under its awkwardness, tho it gains a point for daft ambition.
Siblings journey to the family’s remote holiday home where their brother may be going mad. Not-bad psychological horror which takes an SF/military experiment route than the usual haunting or serial killer options. Falls apart in act 3, tho Larry Fessenden pops up.
A New York cabbie teams up with an alien to save the planet from invaders. A delirious delight, The Fifth Element isn’t for everyone, but its over-the-top camp and stunning design work makes it an ideal double bill with Mike Hodges’ Flash Gordon.
Boffins attempting to harness the power of the earth’s molten core trigger a disaster. Unusual early disaster/SF crossover pic, hampered by now-quaint effects, variable acting, and a love triangle plot taking up much of the running time. Fun, nevertheless.