A young man is recruited by this Chicago-based cousin for a series of art heists. Okay though too-slick-for-its-own-good thievery thriller, enlivened by a Michael Shannon supporting role and by some confidence in its execution, despite a lack of actual story.
Biopic of Elton John, charting his rise to fame and his struggles with success, leading to addiction and recovery. And a chirpy fantasia it is too, daft and jolly and waspish and excessive enough to hint at the real Reg/Elton, while its involved producer/subject settles some scores along the way.
1939. With England on the cusp of war, an excavator is hired for a private archaeological dig. Good-looking and well-acted though slight reimagining of the Sutton Hoo site discovery, hampered by a busy script that doesn’t care to fillet the source novel to make a film-shaped story.
A documentary on Action Park, a notoriously dangerous New Jersey amusement park, and on its charismatic criminal owner. A straightforward and largely enjoyable overview, though one that struggles to balance the human impact of negligence with fond and at times gung-ho 80s nostalgia.
A team of Nepalese clear Everest of detritus left by climbers, while also retrieving bodies. Slightly clumsy, but well-meaning and with a strong central message, this Patrick Stewart-narrated documentary makes clear environmental points as well as commenting on wasteful adventure tourism.
A history of capitalism with projections for the future, based on Thomas Piketty’s bestseller. A clear and accessible overview, engaging and brisk, documenting continuity and change in economic terms between the Industrial Revolution and now. Recommended.
Thirteen years after its predecessor documentary, Morgan Spurlock re-investigates the fast food industry, this time by opening a chicken burger restaurant. Following farm-to-fork, marketing, health, and animal welfare themes, this is another sprightly overview, reinforcing multiple industrial aspects of food.
A documentary on film director William Friedkin, centred on interviews with its subject. Very pleasant overview of Friedkin’s work and perspective on filmmaking, supported by focuses on his 1970s output in particular. No huge surprises, and little criticism, but a decent watch nevertheless.
A small group takes a backwater fishing excursion: they fall foul of a man-eating crocodile in the swamps. Well-sustained little Australian suspense/horror flick, making the most of location shooting and the limitations of the set-up. A belated sequel followed.