After polluting Springfield so much that the government encloses the town in a massive dome, Homer goes on an odyssey to save his family. Weakened a little by expansion to movie-length, this is nevertheless a consistently funny flick with a few standout sequences.
A modest biopic of Lyndon Johnson, focusing on his succession from Kennedy. Straightforward and sympathetic to its protagonist, with good performances from a quality cast – Richard Jenkins comes off best – and only marginally-distracting (though excellent) prosthetics.
A hunter helps an FBI agent investigate the murder of a young woman. Enthralling snowy contemporary Western, with something to say about grief, the bleakness of reservation life, and life in the mountains, while delivering genre thrills.
A down-on-his-luck bodyguard has to escort his former nemesis to a court hearing. Passable road movie / action comedy with a game cast doing its best with average material. Some fun bickering and fighting though, and a weird sense of UK geography.
Five students rent a cabin in the woods and become exposed to a flesh-eating contagion. One splendid Grand Guignol moment aside, this is a duff remake of a not-especially-good recent horror, ticking off all the cliches The Cabin In The Woods subverted.
A young man is troubled by visions of monsters, and of a place called Midian. Ambitious but confusingly-told fantasy/horror hybrid with plenty going on, and lots of ideas, though not all of them well-executed enough to make for a fully-coherent movie.
Paddington ends up in prison after being wrongly convicted of a treasure map theft. Machine-tooled sequel balancing community spirit, slapstick, musical numbers and a climactic train chase. Expertly done, with a fine cast, especially a gleeful Hugh Grant.
An ex-addict cop has a chance at redemption. Autumnal neo-noir with a good cast and some fine ideas and moments, but an overly-busy plot and some excesses muddy the waters. Not uninteresting though.
A female student has to relive the day of her murder again and again. Sprightly campus-based slasher horror-comedy, fairly unashamed in its mashup of Groundhog Day and Scream. Pretty good, within its limitations, leading to a direct sequel two years later.
A hitman struggling with mental health issues accepts a contract to rescue a trafficked child. Deliberate, beautiful, and cryptic, this noir drama isn’t for everyone in its mix of arthouse and genre, but is nevertheless well worth your time. Recommended.