2.22 (2017, dir. Paul Currie)

An air traffic controller starts to believe that the same events are repeating themselves as a warning from the past. A love story with bits of Groundhog Day, Pushing Tin and 12 Monkeys thrown in; the complex backstory and the resolution don’t work.

Clueless (1995, dir. Amy Heckerling)

A rich high school student determines to become a matchmaker. So specifically of its time it’s practically a documentary on the mid-90s, this loose reworking of Jane Austen’s Emma nevertheless delivers; a strong cast helps throughout.

Beauty and the Beast (2017, dir. Bill Condon)

CG-tastic live-action remake of the 90s Disney musical animation. There’s a couple of new songs, but all this really adds is running time; a soulless moneyspinner that despite good performances does nothing that the original didn’t do a lot better.

Another opinion? Here’s Xussia’s thoughts!

As Good As It Gets (1997, dir. James L Brooks)

A selfish author with OCD falls in love with the waitress who serves him breakfast. Splendid romantic comedy with a sharp edge, and a road-trip element. Fine performances from the three leads and a great script. Recommended.

The Terminal (2004, dir. Steven Spielberg)

After a bureaucratic foul-up leaves him stateless, a man is forced to live in an airport terminal. Well-directed comedy-drama which starts brilliantly and then gets bogged down in sub-plots and a shift from existential malaise to schmaltz.

Wall-E (2008, dir. Andrew Stanton)

A beat-up robot falls in love with a sleek new model. Superior SF comedy/romance from Pixar; the last hour is knockabout fun with an environmental/healthy living message, but the first 30 minutes is a sublime silent (apart from music from Hello, Dolly! of all things) movie of its own.