Clueless (1995, dir. Amy Heckerling)

A rich high school student determines to become a matchmaker. So specifically of its time it’s practically a documentary on the mid-90s, this loose reworking of Jane Austen’s Emma nevertheless delivers; a strong cast helps throughout.

Beauty and the Beast (2017, dir. Bill Condon)

CG-tastic live-action remake of the 90s Disney musical animation. There’s a couple of new songs, but all this really adds is running time; a soulless moneyspinner that despite good performances does nothing that the original didn’t do a lot better.

Another opinion? Here’s Xussia’s thoughts!

As Good As It Gets (1997, dir. James L Brooks)

A selfish author with OCD falls in love with the waitress who serves him breakfast. Splendid romantic comedy with a sharp edge, and a road-trip element. Fine performances from the three leads and a great script. Recommended.

The Terminal (2004, dir. Steven Spielberg)

After a bureaucratic foul-up leaves him stateless, a man is forced to live in an airport terminal. Well-directed comedy-drama which starts brilliantly and then gets bogged down in sub-plots and a shift from existential malaise to schmaltz.

Wall-E (2008, dir. Andrew Stanton)

A beat-up robot falls in love with a sleek new model. Superior SF comedy/romance from Pixar; the last hour is knockabout fun with an environmental/healthy living message, but the first 30 minutes is a sublime silent (apart from music from Hello, Dolly! of all things) movie of its own.

Passengers (2016, dir. Morten Tyldum)

A deep-space vessel malfunctions; a passenger wakes from cryosleep 90 years early. Odd SF flick which initially plays interestingly with The Shining in space, only to default to creepy romance mode which doesn’t work at all; Act 3 shows evidence of much surgery.

Another opinion? Here’s Lemonsquirtle’s thoughts.