Two officers – one trusted, one implicated in police violence – are caught up in a riot situation and cut off from support. This Danish drama mashes up the behind-enemy-lines likes of ’71 with a David Ayer-ish cop neo-noir. Somewhat schematic in its storytelling, but undeniably confident, and at least attempting – not always wholly successfully – to mix action with social commentary.
Natasha Romanoff reunites with her estranged fake family to disrupt a post-Soviet Russian agent programme. Patchy Marvel SF/spy adventure (the first Phase 4 movie) awkwardly balancing dysfunctional familial bickering and action set-pieces. A strong cast helps, as does a relatively low-stakes approach and some attempts at character.
A man with mental health issues finds that he is the current incarnation of an immortal, and that a war wages for Earth’s survival. Clumsy and often incoherent Highlander / The Matrix / The Old Guardwannabe for lovers of the later Fast and the Furious movies. No-one comes out of this with much dignity. Not great at all.
Survivors of an upturned cruise liner race against time to climb to the bottom of the ship. Earnest and clunky, this early entrant into the 70s disaster movie cycle is nevertheless impressive in its technical credits and its commitment of approach, and in its blending of veteran, current, and emerging onscreen talent. Based on a Paul Gallico novel: a sequel and other adaptations followed.
A man living an idealistic life finds out that he’s a non-playing character in a video game. Generally sprightly action comedy that mashes up The Truman Show and They Live to pleasing if disposable effect. No huge surprises, though there’s a few neat gags and further evidence supplied that Taika Waititi is many things but not an actor.
A retired Bond combats the threat of a stolen bioweapon. Last of the Craig-era pics, this is the Avengers: Endgame of Bond flicks, rounding out a loose five-film arc. Less successful as a stand-alone movie, but it tries something different, Craig and a guesting Ana de Armas are both great, and there’s neat moments aplenty among the bombast and soapy stuff.
A captured bank robber is forced to retrieve a kidnapped woman for a gang boss. A post-apocalyptic samurai/western hybrid, using a Mad Max/Escape from New York structure for all kinds of digressions. It doesn’t all work (the script is the culprit here), but it looks great in a neon Terry Gilliam kinda way, and everyone seems to be having fun.
Three middle-aged former martial arts students reunite to investigate the killing of their mentor. Straightforward but charming low-budget comedy with action elements: clearly a labour of love, there’s plenty to appreciate here, so the prospect of more from this writer-director is an appealing one.
A hitwoman becomes embroiled in an escalating series of double-crosses when a job goes awry. Stylised John Wick-ish action comedy squandering an excellent cast on a cliched script, and on a baffling series of distancing techniques rendering the flick good-looking (and sounding) but empty, flat and uninvolving.
A chartered seaplane’s crew and passengers are menaced by sharks. Straightforward at-sea survival thriller typical of the subgenre. Decent location and effects work offers production value, and the flick doesn’t drag matters out. No surprises, however.