Assassination Nation (2018, dir. Sam Levinson)

Four high school girls are targeted by a vigilante posse after a data hack tears a town apart. Stylish and confident Trump-era satire, equal parts The Purge sequels and God Bless America. More set-up than an actual fully-fledged movie, this nevertheless has lots to recommend it if you go with it.

Angel Has Fallen (2019, dir. Ric Roman Waugh)

A veteran secret service agent goes on the run after he’s framed for a presidential assassination attempt. Third and best of the Gerry Butler actioners, this is reliable thick ear entertainment with some quality villainy from Danny Huston, and some excellent stuntwork (tho some iffy lighting of greenscreen studio space). Fun while it’s on.

Want another perspective? Here’s Xussia’s twopenceworth.

Colors (1988, dir. Dennis Hopper)

A veteran and a rookie struggle to work together while patrolling LA’s gang neighbourhoods. Still-influential drama that tries for nuance while establishing the look and tone of two generations of movies. Worth revisiting, not least for its direction, cinematography, and its Herbie Hancock score.

Aquaman (2018, dir. James Wan)

Aquaman/Arthur Curry reluctantly agrees to help prevent a war between the Atlanteans and humanity. Glossy and fun – though overlong and CG-tastic – superhero origin flick. Ugly greenscreen cinematography gets in the way of some decent performances and Wan’s capable direction.

Running Scared (1986, dir. Peter Hyams)

Two Chicago cops vow to bring down a drug dealer before their early retirement to Florida. None-more-80s buddy cop comedy-thriller, bolstered by engaging leads with real charisma, and with great cinematography. Dated in places, and the script’s riddled with genre and other cliches.