Red Planet (2000, dir. Antony Hoffman)

The first manned mission to Mars goes awry. Straightforward SF disaster/bodycount movie with the usual nods (astronaut called Bowman etc), though more contrivances than usual. Seriously, guys, don’t take a robot with its “military” mode enabled.

Red Heat (1988, dir. Walter Hill)

A Soviet cop comes to Chicago to extradite a prisoner. Dated but effective and brutal mismatched buddies thriller with comic touches, this doesn’t recapture the magic of Hill’s 48 Hrs, but makes great use of Arnie and of Chicago locations.

Lone Survivor (2013, dir. Peter Berg)

A covert US incursion in Afghanistan goes awry. Effective mission-gone-bad thriller which sensibly avoids close scrutiny of politics, focusing on Hawksian camaraderie and on delivering a sensational sustained action set-piece.

The Hollow Point (AKA Desert Gun) (2016, dir. Gonzalo López-Gallego)

An Arizona sheriff finds his old hometown involved in a conspiracy to smuggle arms to Mexico. Straightforward borderlands thriller with a couple of good performances and aspirations to be No Country For Old Men, which is no bad thing.

Pirates of the Caribbean: Salazar’s Revenge (AKA Pirates of the Caribbean: Dead Men Tell No Tales) (2017, dir. Joachim Ronning & Espen Sandberg)

Jack Sparrow is hunted down by an old ghostly enemy. The fifth entry in the series is tedious in the extreme, a laboured and unfunny recycling of story elements from previous episodes, with a plainly bored cast of veterans. Time to lay these bones to rest.