An elite LA cop unit versus a notorious bank robber and his crew. The film wants to be Heat so badly, but can’t make its characters both appalling and fascinating. Some good detail, but cliches, awkward plotting and indifferent action weigh matters down.
Thomas and friends mount a rescue mission. Third and last of the OK YA dystopian franchise. It doesn’t make much plot sense, but the action is capably handled, production design is good, and there’s a refreshing physicality to proceedings. For series fans only tho.
Snake Plissken is compelled to rescue a gadget from what is now the island prison of Los Angeles. Campy though large-scale reprise of the 1981 predecessor. Some moments work, but this is lesser Carpenter, and a film blighted by woeful CG.
A cowboy relentlessly pursues an outlaw, and the prized rifle stolen from him. The first Mann/Stewart western is a splendid thing, creating a new rugged persona for Stewart and delivering in all manner of genre pleasures. Highly recommended.
A female FBI agent gets in over her head when she volunteers to liaise with an inter-agency anti-drugs team. Smart, bleak and suspenseful thriller with great performances and some standout sequences. Recommended.
An NYPD cop is recruited into a secret anti-alien taskforce. Brisk SF comedy-thriller with some good moments and neat odd-couple playing from its leads, but too concerned with sub-Ghost Busters slapstick than with exploring the potential of its premise.
An infamous criminal is sent into the island prison of Manhattan to rescue the US President. Defiantly odd post-apocalyptic piece, much happier with its production design and oddball characters than delivering on action/horror. Not quite the film you remember.