The Grinch [AKA Dr Seuss’ The Grinch] (2018, dir. Scott Mosier & Yarrow Cheney)

A Christmas-hating misanthrope decides to steal the holiday from the nearby town of Whoville. While the Dr Seuss story stretches too thin to really make a movie, this is nevertheless a fun, clever attempt with great animation and fine voice work from lead Cumberbatch.

Here’s the trailer.

The Christmas Chronicles, Part 2 [AKA The Christmas Chronicles 2] (2020, dir. Chris Columbus)

Two years on, and an unhappy Kate Pierce is kidnapped by a cast-out elf aiming to get revenge on Santa. Sprawling grab-bag sequel, mashing up Milton, Gremlins and a hundred other properties. Messy and uncoordinated, though Kurt Russell is having fun, plus he gets another Blues Brothers-ish singalong set piece.

Here’s the trailer.

Dolittle (2020, dir. Stephen Gaghan)

A reclusive naturalist and doctor voyages to find a fabled fruit so he can save the life of the young Queen Victoria. Genuinely terrible revisioning of the Hugh Lofting talks-to-animals character: a movie assembled from multiple reshoots and dubbing sessions. Michael Sheen is fun as the villain, but that’s about it.

Here’s the trailer.

Don’t take my word for it, though. Here’s Xussia’s review.

Klaus (2019, dir. Sergio Pablos)

The wastrel son of a postmaster is given a challenging remote office to run as a final opportunity. Oddball but charming Santa Claus origin variant story, with some fine gags and great animation and design throughout. A welcome spin on the lets-save-Christmas storyline.

Here’s the trailer.

The Witches (2020, Dir. Robert Zemeckis)

New likeable version of Roald Dahl’s story. A change of setting and Anne Hathaway heading up a cast having a lot of fun. Some great moments, occasional poor VFX, but otherwise fun family territory. I prefer the 1990 version but this is still worth a watch!

Cars (2006, dir. John Lasseter [and Joe Ranft])

An arrogant Nascar racer is stranded in a small town off Route 66 where he/it learns some life lessons. Conceptually-weird riff on Doc Hollywood (the vehicular universe makes little sense) though with some good gags, voice performances, and design elements. Two direct sequels followed.

Here’s the trailer.

Enola Holmes (2020, dir. Harry Bradbeer)

Sherlock Holmes’ younger sister Enola investigates their mother’s disappearance. Handsomely-produced but wildly inconsistent Victorian teen detective romp. A strong cast and good production values help, but a weak and smug script scuppers the enterprise as a whole, despite fun moments.

Here’s the trailer.

Mr Bean’s Holiday (2007, dir. Steve Bendelack)

Mr Bean wins a holiday to the French Riviera, but has trouble getting there. Superior road movie sequel that starts slowly but gains momentum. Slapstick, sight gags, some deft movie industry satire, plus a genuinely heart-warming climax.

Here’s the trailer:

A Shaun the Sheep Movie: Farmageddon (2019, dir. Richard Phelan & Will Becher)

A stranded alien causes havoc at Mossy Bottom Farm. Aardman does ET, basically. And pretty well, too. This second Shaun movie is gorgeous-looking, as English as tuppence, has a high gag-to-minute ratio, and enough genre shout-outs to please the most demanding of SF faithful. The best flick of its type since, oh, Paddington 2.

The Secret Life of Pets 2 (2019, dir. Chris Renaud & Jonathan del Val)

Dog Max’s family gains a child; elsewhere, there’s a zoo tiger to rescue. Episodic and somewhat contrived sequel that delivers in some scenes, but which doesn’t hang together as a movie. Some sharper jokes this time out though, and both a lovely chase climax and a lesson learned for our protagonist.