Larry, his son, and their museum friends go to London to return a magical talisman. Third time out and there are signs of franchise fatigue setting in: the new additions work best (Dan Stevens and a cameoing Hugh Jackman). Series fans won’t be disappointed, though it’s the same film as twice before in essence.
An orphan is raised by his grandmother, who warns him about witches who are all-too-real. This second version is less spiky than the 1990 Nic Roeg-directed attempt, but still balances child-centric adventure and a dark sensibility: the Americanisation works well, even if the story’s still a touch contrived.
A Christmas-hating misanthrope decides to steal the holiday from the nearby town of Whoville. While the Dr Seuss story stretches too thin to really make a movie, this is nevertheless a fun, clever attempt with great animation and fine voice work from lead Cumberbatch.
Two years on, and an unhappy Kate Pierce is kidnapped by a cast-out elf aiming to get revenge on Santa. Sprawling grab-bag sequel, mashing up Milton, Gremlins and a hundred other properties. Messy and uncoordinated, though Kurt Russell is having fun, plus he gets another Blues Brothers-ish singalong set piece.
A reclusive naturalist and doctor voyages to find a fabled fruit so he can save the life of the young Queen Victoria. Genuinely terrible revisioning of the Hugh Lofting talks-to-animals character: a movie assembled from multiple reshoots and dubbing sessions. Michael Sheen is fun as the villain, but that’s about it.
The wastrel son of a postmaster is given a challenging remote office to run as a final opportunity. Oddball but charming Santa Claus origin variant story, with some fine gags and great animation and design throughout. A welcome spin on the lets-save-Christmas storyline.
New likeable version of Roald Dahl’s story. A change of setting and Anne Hathaway heading up a cast having a lot of fun. Some great moments, occasional poor VFX, but otherwise fun family territory. I prefer the 1990 version but this is still worth a watch!
An arrogant Nascar racer is stranded in a small town off Route 66 where he/it learns some life lessons. Conceptually-weird riff on Doc Hollywood (the vehicular universe makes little sense) though with some good gags, voice performances, and design elements. Two direct sequels followed.
Sherlock Holmes’ younger sister Enola investigates their mother’s disappearance. Handsomely-produced but wildly inconsistent Victorian teen detective romp. A strong cast and good production values help, but a weak and smug script scuppers the enterprise as a whole, despite fun moments.
Mr Bean wins a holiday to the French Riviera, but has trouble getting there. Superior road movie sequel that starts slowly but gains momentum. Slapstick, sight gags, some deft movie industry satire, plus a genuinely heart-warming climax.