Elsa and Anna have to leave Arendelle to find out the secret of Elsa’s powers and their family history. Overly-complicated sequel with OK though derivative songs, and reliance on goodwill from Part I to see things through. Some good moments, but second time around, this is no classic.
The second film doubles down on the body swap schtick by transporting the aging DeVito and Glover into the mix. Plenty of old people don’t understand modern tech gags and a similar standard of action as the original mean you won’t be disappointed. Fun.
A foster-child is granted superpowers which come with an adult hero persona; but a nemesis figure emerges. OK, but overlong and tonally-awkward superhero origin movie. Hampered by its Big-with-cape conceit and story uncertainty, it tries a bit of everything. Fun in the moment, tho, and some nice gags.
An incomprehensible Robert Downey Jr mumbles badly in a crap Welsh accent and talks to animals while saving the queen from assassination. Utter utter rubbish. No discernible saving graces. Avoid.
Matters converge: a final stand at Hogwarts against Voldemort. The last part of the eight-film cycle delivers in terms of epic action sequences, resolutions for characters followed over multiple movies, and a decent coda; no real surprises, and nothing for outsiders, which is perhaps as it should be.
Battle lines are drawn between Voldemort’s followers and others; Harry’s studies are supported by a mysterious textbook. Decent series entry, concerned with putting pieces in place for the final conflict. Not really a stand-alone movie, but series fans won’t mind that at all.
Voldemort’s rise develops; a fightback begins. Middling fifth instalment treading water between the establishment of the nemesis as a real threat, and its crystallisation; meanwhile, Hogwarts is put into special measures. Okay for fans, and well-enough done, but no classic.