A geological event threatens global disaster. Another of Emmerich’s gently-satirical throw-em-to-the-lions iconoclastic pictures, this time playing with Mayan prophecies and CG tectonic plates shifting. Fun if you go with it.
A bereaved couple’s new foster son’s dreams – and nightmares – can come true. Atypical jumpscare horror which morphs into something a little more touchy-feely. Not for all tastes, but well-directed by the talented Flanagan.
A live-action/mocap/CG version of the Disney animation based on the Kipling stories. And pretty good it is too, with a stunning central performance and plenty of visual wonderment if you don’t mind a little uncanny valley in your family-friendly entertainment.
Biopic of Vinny Pazienza, who overcame a broken neck to return to championship-standard boxing. A straightforward but immersive triumph-over-adversity story from the headlines, with great work from a talented cast, especially Ciaran Hinds and Aaron Eckhart.
A prequel of sorts to JM Barrie’s Peter Pan. And not a very good one either. Some interesting production design, but that’s about it. A poor script, misjudged performances, and evidence of a post-production salvage attempt. A disappointment.
A corporate stork and a young woman have to deliver a baby. Though intermittently hilarious (the wolves are good, and there are some beautifully random jokes) this is an odd beast with a complicated set-up that has little inner logic. The usual heartwarming lessons learned, though.
Electrical power workers battle their demons, and sometimes, power cuts. Ho-hum drama which can’t decide if it’s interested more in blue-collar soap operatics or in Hawksian camaraderie under pressure, ending up focusing on neither.