Frozen II (2019, dir. Chris Buck & Jennifer Lee)

Elsa and Anna have to leave Arendelle to find out the secret of Elsa’s powers and their family history. Overly-complicated sequel with OK though derivative songs, and reliance on goodwill from Part I to see things through. Some good moments, but second time around, this is no classic.

Shazam! (2019, dir. David Sandberg)

A foster-child is granted superpowers which come with an adult hero persona; but a nemesis figure emerges. OK, but overlong and tonally-awkward superhero origin movie. Hampered by its Big-with-cape conceit and story uncertainty, it tries a bit of everything. Fun in the moment, tho, and some nice gags.

Harry Potter and the Deathly Hallows – Part 2 (2011, dir. David Yates)

Matters converge: a final stand at Hogwarts against Voldemort. The last part of the eight-film cycle delivers in terms of epic action sequences, resolutions for characters followed over multiple movies, and a decent coda; no real surprises, and nothing for outsiders, which is perhaps as it should be.

Harry Potter and the Half-Blood Prince (2009, dir. David Yates)

Battle lines are drawn between Voldemort’s followers and others; Harry’s studies are supported by a mysterious textbook. Decent series entry, concerned with putting pieces in place for the final conflict. Not really a stand-alone movie, but series fans won’t mind that at all.

Harry Potter and the Order of the Phoenix (2007, dir. David Yates)

Voldemort’s rise develops; a fightback begins. Middling fifth instalment treading water between the establishment of the nemesis as a real threat, and its crystallisation; meanwhile, Hogwarts is put into special measures. Okay for fans, and well-enough done, but no classic.

Harry Potter and the Goblet of Fire (2005, dir. Mike Newell)

Harry is mysteriously selected to take part in a wizarding tournament at Hogwarts. Fourth and perhaps the best of the sequence, balancing a stand-alone story with the developing Voldemort narrative. Little for series entrants, but a confident and well-made movie for fans of the books and the films to date.

Harry Potter and the Prisoner of Azkaban (2004, dir. Alfonso Cuaron)

Potter is threatened by a notorious escaped prisoner and ally of the Dark Lord. The third in the sequence is a touch darker, expanding the movie universe away from the quest-based adventures of parts 1 and 2. A step up all around, with confident direction, better effects, and actors maturing into their roles.

Mary Poppins Returns (2018, dir. Rob Marshall)

A generation after the events of Mary Poppins, the magical nanny returns to the Banks family, this time to help them save their home. Despite care and affection for the original, this is a reprise rather than a sequel. Emily Blunt lacks the lightness of touch of Julie Andrews, and the songs tend to the unmemorable.