A stranded alien causes havoc at Mossy Bottom Farm. Aardman does ET, basically. And pretty well, too. This second Shaun movie is gorgeous-looking, as English as tuppence, has a high gag-to-minute ratio, and enough genre shout-outs to please the most demanding of SF faithful. The best flick of its type since, oh, Paddington 2.
Dog Max’s family gains a child; elsewhere, there’s a zoo tiger to rescue. Episodic and somewhat contrived sequel that delivers in some scenes, but which doesn’t hang together as a movie. Some sharper jokes this time out though, and both a lovely chase climax and a lesson learned for our protagonist.
A New Yorker’s pet dog has to cope with a new arrival, and then getting lost in the city. Okay animation that dispenses with its potentially-subversive title in the first few minutes for something more linear and straightforward. Bright, though, with some good gags. Fun while it’s on. A sequel soon followed.
Ralph and Vanellope quest online to find a spare part for a games console. Overlong sequel that uses its premise to support an extended (though fun) riff on existing Disney properties. Some sly jokes get through, but this is a product placement-tastic, overstuffed continuation that exposes the limits of its setup and its nominal lead character.
Want another review of this movie? Here y’go.
A videogame character abandons his console to prove that he has worth. Toy Story/Tron mashup that generally works despite the conceptual awkwardness of its conceit. Plenty of game in-jokes and references, some nice gags, lovely design elements, and a splendid villainous performance from Alan Tudyk, riffing on Ed Wynn. A sequel followed.
Elsa and Anna have to leave Arendelle to find out the secret of Elsa’s powers and their family history. Overly-complicated sequel with OK though derivative songs, and reliance on goodwill from Part I to see things through. Some good moments, but second time around, this is no classic.
The second film doubles down on the body swap schtick by transporting the aging DeVito and Glover into the mix. Plenty of old people don’t understand modern tech gags and a similar standard of action as the original mean you won’t be disappointed. Fun.
A foster-child is granted superpowers which come with an adult hero persona; but a nemesis figure emerges. OK, but overlong and tonally-awkward superhero origin movie. Hampered by its Big-with-cape conceit and story uncertainty, it tries a bit of everything. Fun in the moment, tho, and some nice gags.
An incomprehensible Robert Downey Jr mumbles badly in a crap Welsh accent and talks to animals while saving the queen from assassination. Utter utter rubbish. No discernible saving graces. Avoid.
Matters converge: a final stand at Hogwarts against Voldemort. The last part of the eight-film cycle delivers in terms of epic action sequences, resolutions for characters followed over multiple movies, and a decent coda; no real surprises, and nothing for outsiders, which is perhaps as it should be.