Anna (2019, dir. Luc Besson)

A lost young woman becomes an elite model by day, a KGB assassin by night. It’s Besson-by-numbers in this straightforward Europacorp espionage/action thriller, lifting bits from La Femme Nikita and in so doing aping the recent Red Sparrow. Decent setpieces, some lazy tech-related anachronisms, and reliable character actors slumming.

Henchman: The Al Leong Story (2018, dir. Vito Trabucco)

A documentary about Hollywood’s most recognizable stuntman and movie henchman. A crowdfunded production made with affection and respect for its subject. Inevitably for fans, but nevertheless fascinating, not least because the film gives a rounded picture of Leong’s work, life, and personal struggles. Recommended.

Avengement (2019, dir. Jesse V Johnson)

An escaped prisoner holds his gangster brother’s criminal friends hostage. Superior DTV violent martial arts action, with a career-best performance from Adkins and a keen sense both of the strengths and limits of the genre.

Triple Threat (2019, dir. Jesse V Johnson)

Mercenaries accidentally free a terrorist. This gleeful team-up of multiple DTV action stars doesn’t quite hang together in story terms, but there’s no doubting the fun to be had if shootouts, martial arts combat and fistfights are your thing.

Incoming (2018, dir. Eric Zaragoza)

Escaped terrorists take over the ISS, now a CIA black site. High-concept low-budget prison escape movie with an SF twist. Unfortunately, despite Adkins’ professionalism and some ambition, this is a tatty effort that doesn’t even deliver in its fight sequences.

Nightshooters (2018, dir. Marc Price)

A low-budget film crew is trapped in a high-rise – due for demolition – by gangsters. Impressive micro-budget action comedy with some great gags, fine stuntwork and fight choreography. Lots to enjoy for genre fans; the film’s limitations work to its advantage.