A smart-tech doll is reprogrammed to malfunction; it develops homicidal tendencies. Generally solid update/reboot of the series with a sense of the daftness of the premise. Works better in the moment than in retrospect, but nasty fun nevertheless, plus a couple of satirical touches.
Jump sequel to T2. Similar story but Terminators from a new future now trying to kill someone else of future importance. Welcome return to form with this. Mind blowing VFX coupled with a good script and actors enjoying themselves. Enjoyable!
Two mountaineers attempt a re-creation of the 1924 Mallory/Irvine Everest expedition. Generally-effective documentary (with perhaps-recreated scenes as well as some dramatisation) that tells the story of the original attempt while also covering the 1999 emulation; the experiment indicates Mallory and Irvine could have completed the ascent.
Jay and Silent Bob take another road trip to Hollywood to stop a remake of a movie about their lives being completed. Sequel/reprise of 2001’s … Strike Back, with more cameos, callouts to other Askewniverse movies, and to fan culture more generally. Fans only, inevitably, but there’s some heart and a couple of decent jokes and neat obscurities among the references.
The man who killed Hitler is called upon in old age to track down Bigfoot. Defiantly quirky comedy-drama with horror elements, held together by Sam Elliott’s deadpan central performance and by a sense of confidence throughout. Inevitably not for all, but if you go with it there’s plenty to enjoy.
A desperate writer turns to forging literary letters. Excellent melancholic comedy-drama, anchored by two great central performances and by sensitive writing and direction. Lots to appreciate, though the tone might be too downbeat for some.
Two soldiers are given orders to deliver an urgent message to prevent a massacre. Works better as a race-against-time action movie than as an anti-war flick, but sustains itself impeccably and looks great throughout. The single-shot/more-or-less real-time aesthetic just about justifies itself, though can be distracting in quieter moments.