A teenager comes into possession of a vintage Polaroid camera; its images provoke a series of supernatural killings. Low-key though good-looking teen horror flick, borrowing from the Final Destination and Ring franchises, among many others. Nothing new apart from the calling-card approach by Klevberg (extending a 2015 short film of his), who then helmed the Child’s Play reboot.
Six students visit a pop-up Halloween haunted house attraction. Straightforward series-of-traps body count flick, riffing on Saw sequels, escape room popularity, and a bunch of other influences. Some agreeably nasty ideas, and a cast of relative unknowns (to me, anyway) that help make matters unpredictable.
A struggling fashion designer receives an experimental skin graft; she becomes patient zero of a rabies-like epidemic. Uneven but watchable remake of the 1977 David Cronenberg movie (with nods to others). Lots of ideas and directions tried, though not all are followed through; some pleasingly weird moments tho.
A smart-tech doll is reprogrammed to malfunction; it develops homicidal tendencies. Generally solid update/reboot of the series with a sense of the daftness of the premise. Works better in the moment than in retrospect, but nasty fun nevertheless, plus a couple of satirical touches.
The man who killed Hitler is called upon in old age to track down Bigfoot. Defiantly quirky comedy-drama with horror elements, held together by Sam Elliott’s deadpan central performance and by a sense of confidence throughout. Inevitably not for all, but if you go with it there’s plenty to enjoy.
LA, 1973. A cursed social services worker has her family stalked by a vengeful child-killing spirit. Competent jump-scare horror with links to the Conjuring universe. Some decent period details, solid character actors galore, and a few well-engineered shocks. All-but-bloodless fare, but entertaining enough.