A renovated former slaughterhouse may be haunted by the child of a former serial-killer employee. Overly-complicated horror shenanigans with a couple of effective moments, though undone by its backstory, poor CG, and some obvious writing.
Three young adults summon a demon. Straightforward jumpscare horror with some surprising gore moments; the rules of the summoning game and the backstory confuse matters, but old pros Lin Shaye and Robert Englund add some class.
Vehicles come alive, terrorising travellers hiding out in a rural diner. TV movie version of the same Stephen King short that inspired Maximum Overdrive, with odd gore scenes inserted to make it a horror for international cinema release. Perfunctory.
A viral outbreak in a small Iowa town leads to a zombie-like infection and a military lockdown. Effective and well-sustained remake of the 1973 George Romero flick of the same name. Cynical, paranoid and subversive within its now-familiar genre framework.
Five students rent a cabin in the woods and become exposed to a flesh-eating contagion. One splendid Grand Guignol moment aside, this is a duff remake of a not-especially-good recent horror, ticking off all the cliches The Cabin In The Woods subverted.
A young man is troubled by visions of monsters, and of a place called Midian. Ambitious but confusingly-told fantasy/horror hybrid with plenty going on, and lots of ideas, though not all of them well-executed enough to make for a fully-coherent movie.
A coastal Californian is attacked without warning by swarms of birds. One of the last truly great Hitchcock movies, full of suspenseful set-pieces, an absence of explanation, and an apocalyptic climax. Recommended.