A coastal resort is threatened by a predatory great white shark. Peerless proto-blockbuster and inventor of the summer event movie, Jaws retains its ability to thrill and impress. Character, action, location shooting, direction and a semi-improvised approach to dialogue are counterpointed by a terrific score. Sequels of diminishing quality followed.
A Predator attempts to clear an alien infestation of a Colorado town. Banal direct sequel to Alien vs. Predator, oddly combining high-school slasher tropes with full-on monster mayhem. Dumb, visually murky and nigh plotless, though a couple of transgressive ideas lurk. A franchise low.
A mysterious Antarctic pyramid structure is linked to ancient alien hunting rites. Comic book-style franchisemashup with the focus on action and startling images rather than on SF horror. Not for purists, but well-resourced entertainment nevertheless with a stirring lead and great casting in depth.
A gamer teen is stranded in their high-rise apartment during a zombie outbreak. Clever, effective z-movie, adept at finding new ways to explore the sub-genre’s possibilities, and with some telling points to make about technology in everyday life. No game-changer, but offers definite evidence of afterlife in the undead.
Two years after the traumatic events of the first film, Judah finds himself still struggling to be believed. Zippy sequel that expands on, rather than rehashes, its predecessor (which it’d be useful to see immediately prior). More gore slapstick than horror flick, this is a fun and pleasantly inconsequential ride.
A team-building weekend goes awry when colleagues are trapped in a cave. Poor entry in the office politics horror-comedy sub-genre, with a decent cast struggling with under-powered scripting, direction, and lighting choices. There’s nice Gary Sinise and Britney Spears running gags, but that’s about it.
An overview of black representation and industry participation in (mostly) US horror films. An excellent documentary, clear and straightforward, but with some weight to its ideas as well as being accessible to wider audiences. Plenty of clips, plus interviews with genre figures and academics. Recommended.
A group of English archaeologists are targeted for revenge killings by an Egyptian priest. Dated, stage-bound, though still enjoyable minor Hammer horror movie, assembling its script from across the Universal flicks. Interestingly, the villain’s motives now appear perfectly reasonable, even if his methods are extreme.
Multiple parties search for the source of a New Orleans street drug, which grants a superpower for five minutes. Flashy and confident if superficial mashup of Limitless and the 70s TV show Gemini Man. Plenty of incidental fun tho, especially in the first two acts.
A dysfunctional family is tormented by a killer doll. A reboot for the DTV market, and something of a back-to-basics effort, though with nods to series continuity. Nevertheless, there’s plenty for Chucky fans (this is the sixth movie), even if budget limitations restrict both locations and SFX.