A beat-up robot falls in love with a sleek new model. Superior SF comedy/romance from Pixar; the last hour is knockabout fun with an environmental/healthy living message, but the first 30 minutes is a sublime silent (apart from music from Hello, Dolly! of all things) movie of its own.
A creature is summoned to challenge a boy whose mother is dying. Splendid dark fantasy, equal parts The BFG/ET and something more akin to Pan’s Labyrinth, which pulls out all the emotional and VFX stops in its ultimately uplifting tale about the power of stories and truths.
A hapless theatre owner tries one last time to save his dreams. Its hoary premise aside, and some charmless character design notwithstanding, this is a chirpy jukebox musical hitting all the right feelgood notes, with a handful of quality jokes.
Another opinion? Here’s Lemonsquirtle’s.
Far better than the disappointing second film, this takes the characters back to the race tracks of America. Shamelessly riffing off Rocky 3, 4 and 5, this is a great piece of family entertainment. Not Pixar’s best, but still a cut above similar fare.
Based on the books by Dav Pilkey, this is a fun big screen debut for the eponymous captain. Superbly animated and never less than entertaining, there is much fun to be had here, even if it is based on a series of jokes about bodily functions. Parp.
A corporate stork and a young woman have to deliver a baby. Though intermittently hilarious (the wolves are good, and there are some beautifully random jokes) this is an odd beast with a complicated set-up that has little inner logic. The usual heartwarming lessons learned, though.
A Polynesian clan-leader’s daughter escapes her island home to prevent a terrible prophecy. Supremely confident quest narrative; a focused and involving animation with huge attention to story, action, and character detail. Recommended.