Proud Mary (2018, dir. Babak Najafi)

A crime syndicate-affiliated Boston hitwoman starts a gang war after protecting a child. A good central performance and some OK action anchor this very straightforward thriller in need of a stronger script less eager to make its protagonist sympathetic.

Logan Lucky (2017, dir. Steven Soderbergh)

Two down-on-their-luck brothers plan a heist at a Nascar race. Massively confident and entertaining crime comedy, which takes the hoariest of premises (breaking out of prison to commit the perfect crime) and has lots of fun with it. Polished entertainment.

A Simple Favor (2018, Dir Paul Feig)

A quirky film about two ‘friends’ whose odd relationship unravels. Slick execution and two great performances mask an, at times, stilted script and some leaden plotting. That said, there is a lot to like here and some great ad-lib dialogue lends a comedy strength.

Paranoid Park (2007, dir. Gus Van Sant)

A teen skateboarder may be a murderer. Lo-fi, ambient movie adapted from the Blake Nelson novel, which effectively conveys young adult disaffection, blankness and disconnection from others. Tight but loose; doesn’t overstay its welcome.

Lowlife (2017, dir. Ryan Prows)

A masked failure tries to live up to the fabled reputation of his father. LA-set black comedy crime drama, involving human organ theft, kidnapping, Luchadors and gun-toting motel owners. Not for everyone, but a confident and at times affecting violent entertainment.

Safe (2012, dir. Boaz Yakin)

A hunted ex-cop and a young girl with mob secrets go on the run together. Terrific New York chase thriller, balancing stunts, action and rock-solid fight choreography together to make a daft but supremely entertaining package. For genre fans, but highly recommended nevertheless.

Psycho (1998, dir. Gus Van Sant)

Almost shot-for-shot remake of the 1960 Hitchcock classic of the same name. An odd thing to attempt, and one which flags up the uniqueness of the original, despite (and maybe because of) a solid cast and respectful treatment of the first movie.