Triple Frontier (2019, dir. JC Chandor)

Five former soldiers plan a robbery on a drug lord’s jungle hideout. Well-sustained heist-goes-wrong thriller with a military angle. A superb cast lifts straightforward genre material, somewhat elevated by serious handling and moviemaking craftsmanship throughout.

Peppermint (2018, dir. Pierre Morel)

Five years after her family’s murder, a mother returns to the US for revenge. Straightforward action fantasy with a committed lead performance and an outsider’s view of LA. Not great, but there’s a couple of interesting plot wrinkles along the way.

Nightshooters (2018, dir. Marc Price)

A low-budget film crew is trapped in a high-rise – due for demolition – by gangsters. Impressive micro-budget action comedy with some great gags, fine stuntwork and fight choreography. Lots to enjoy for genre fans; the film’s limitations work to its advantage.

Backtrack (2015, dir. Michael Petroni)

A psychiatrist’s visions of his dead daughter lead him to confront the secrets of his youth. Initially contrived but nevertheless effective supernatural thriller with plenty of jump scares and a couple of interesting ideas.

Red Dragon (2002, dir. Brett Ratner)

An FBI agent comes out of early retirement to catch a serial killer. Competent adaptation of the Thomas Harris novel (already filmed as Manhunter), here styled as a prequel to The Silence of the Lambs. Over-familiar material means diminishing returns though, despite good work from cast and crew.