T2 Trainspotting (2017, dir. Danny Boyle)

Mark Renton returns to Edinburgh, twenty years on. Confident sequel/reprise of the 1996 original. Plenty to enjoy and admire, even if there’s inevitably a spark of freshness missing.

No Country For Old Men (2007, dir. Joel & Ethan Coen)

After stumbling across the proceeds from a drug deal gone wrong, a Vietnam veteran is pursued by an implacable hitman. Astonishing thriller about violence, randomness and fate, which works also as a contemporary (it’s set in 1980) borderlands Western.

Solo: A Star Wars Story (2018, dir. Ron Howard)

Whether needed or not, this origin story is an enjoyable romp through the Star Wars backlot. Solid action and decent performances from Ehrenreich and Glover as Han and Lando, and ably supported by Harrelson, Newton and Bettany. Good popcorn fodder. 😀

Want another opinion? Here’s Eamonn’s opinion.

Solo: A Star Wars Story (2018, dir. Ron Howard)

A Han Solo origin tale. After a clunky and stagey first act, this heist western SF hybrid finds its feet, even though its nominal lead is a black hole around which much more interesting support stuff occurs. Inconsequential.

The Debt Collector (2018, dir. Jesse V. Johnson)

A desperate-for-money martial arts instructor takes a job as a  debt collector. Okay thick ear, with a fight every 5 minutes and some comic moments. Old-school in many ways, and with a tacked-on plot that doesn’t quite work, but reasonable fun for fisticuffs fans.

Murder On The Orient Express (2017, dir. Kenneth Branagh)

Hercule Poirot must investigate a killing on a sumptuous cross-Europe train. Handsome and starry, this Agatha Christie adaptation struggles to showcase its cast or its plot, so while not-entertaining, feels a bit mechanical.