Manhunt (2017, dir. John Woo)

A framed lawyer and a maverick cop team up to expose a medical conspiracy. John Woo blends Hong Kong heroic bloodshed with his SF-underscored US actioners in this enjoyably overwrought chase movie. Guns, trials bikes and doves all present and correct.

Brawl in Cell Block 99 (2017, dir. S. Craig Zahler)

A mechanic turned drug mule has to battle the prison system to save his pregnant wife from the dealers he owes. Slow-paced but inexorable, this crime drama/horror mash-up isn’t for everyone, but is both brilliant and brutal if you can go with it.

The Hurricane Heist (2018, dir. Rob Cohen)

A meteorologist and a US Treasury agent combat thieves using a hurricane as cover for a robbery. Underpowered mashup of Twister and Hard Rain with some good moments – Ralph Ineson’s baddie is fun – but an over-reliance on cliche and CG storms.

Baywatch (2017, dir. Seth Gordon)

A disgraced Olympic swimmer becomes a lifeguard. Patchy and overlong reprise of the 90s TV show. Some funny moments, but they’re spread over a thin plot, iffy CG and a reliance on beach bodies and grossout/insult humour to carry the day.

Want a second opinion? Here’s Xussia’s take.

The Seven-Ups (1973, dir. Philip D’Antoni)

An elite cop squad comes up against a kidnapping crew targeting underworld figures. Effective thriller drawing on some of the same material as The French Connection; great wintry New York location work and a fine car chase too.

Going In Style (2017, dir. Zach Braff)

When their former employer reneges on their pension deals, three old men decide to rob the bank involved. Easy-going remake of a 1970s caper comedy. No surprises, but it coasts by on twinkly-eyed performances and some nice moments.