Daughter of the Wolf (2019, dir. David Hackl)

A mother trackers her son’s kidnappers across a snowy wilderness. Okay DTV thriller with some decent production values but a perfunctory plot and awkward action direction. Richard Dreyfuss offers up some enjoyable supporting ham.

Point Blank (2019, dir. Joe Lynch)

A trainee doctor is forced to go on the run with an escaped prisoner. Straightforward chase thriller that holds itself together via its lead performances. The usual double-crosses and switches, though the movie undercuts its committed leads with some awkward comedic juxtapositions and musical cues.

Deep Rising (1998, dir. Stephen Sommers)

A salvage boat crew, thieves, and sundry passengers try to escape a liner under attack from sea creatures. Splendid pulpy B-movie with its tongue in its cheek, played with verve by an impeccable cast of character actors.

Cold Pursuit (2019, dir. Hans Petter Moland)

A snowplough driver seeks revenge on the drug dealers who killed his son. Black comedy English-language remake of the director’s 2014 In Order of Disappearance/Kraftidioten. Lacks the transgressive edge of the original; a good cast doesn’t have much to do.

The Happytime Murders (2018, dir. Brian Henson)

A puppet PI and his former partner team up to solve a series of murders. It nearly works, but the emphasis on gross-out humour instead of playing the Roger Rabbit-ish concept means that some good moments, decent playing and undoubted technical expertise all get lost.

The Kid (2019, dir. Vincent D’Onofrio)

A brother and sister, on the run from their vengeful uncle, cross paths with both Pat Garrett and Billy The Kid. Deliberately-paced Western focusing on character playing, landscape, and on actorly performances as much as on its narrative approach to an oft-told bit of genre history.

Superfly (2018, dir. Director X)

A Georgia drug dealer tries for one last score to get out of the life. Okay remake/reprise that’s more style than substance, too often simply presenting the genre tropes than doing much useful with them. Some interesting moments, though, and a good Morris Day joke.