Capital in the Twenty-First Century (2019, dir. Justin Pemberton)

A history of capitalism with projections for the future, based on Thomas Piketty’s bestseller. A clear and accessible overview, engaging and brisk, documenting continuity and change in economic terms between the Industrial Revolution and now. Recommended.

Here’s the trailer.

The Senator [AKA Chappaquiddick] (2017, dir. John Curran)

Edward Kennedy’s presidential ambitions are destroyed because of his involvement in the death of Mary Jo Kopechne. Sober political drama focusing on ambition, hubris, legacy, and arrogance. Decent performances and production values help, though there’s awkwardness in the focus on the politician over the deceased.

Here’s the trailer.

Accidental Courtesy: Daryl Davis, Race & America (2016, dir. Matthew Ornstein)

A documentary portrait of US musician Daryl Davis, who has made it a personal mission to befriend and understand Klan members. An interesting biography on a personalised mission to undo the Klan. Both the strengths and flaws of Davis’s approach are explored in an even-handed manner; a fascinating case study.

Here’s the trailer.

Il Divo (2008, dir. Paolo Sorrentino)

Three years in the life of Italian politician Giulio Andreotti as his career collapses. A dazzling, swaggering, operatic approach to its unpromising-sounding subject matter pays dividends, as Sorrentino finds ways to unlock a private man. A touch impenetrable without knowledge of the actual events, but remarkable nevertheless.

Hail Satan? (2019, dir. Penny Lane)

A documentary about the US Satanic Temple. In offering an overview of the Temple’s focus for exploring personal freedom, social justice and equality, the documentary makes some relevant points, while also exploring the media-savvy mischief of their approach, and of tensions within the movement.

The Front Runner (2018, dir. Jason Reitman)

A presidential hopeful’s nomination campaign is derailed by his philandering. Smart observational true-life political drama clearly in love with the likes of All The President’s Men. While it doesn’t quite grapple with its protagonist’s weaknesses, the film is nevertheless professional, skilful and well-crafted throughout. Recommended.

The Post (2017, dir. Steven Spielberg)

The Washington Post battles to source and then publish revelations about the Vietnam War. Effective journalistic thriller, which works as a prequel to All The President’s Men and as a contemporary allegory. Good performances all round, especially from Streep.