Ready or Not (2019, dir. Matt Bettinelli-Olpin and Tyler Gillett)

On her wedding day, a bride finds that the games dynasty she’s marrying into has an odd – and potentially murderous – ritual. Generally solid black comedy horror with a great lead performance from Samara Weaving. Bonus points for the gratuitous Kazuo Ishiguro shoutout.

Assassination Nation (2018, dir. Sam Levinson)

Four high school girls are targeted by a vigilante posse after a data hack tears a town apart. Stylish and confident Trump-era satire, equal parts The Purge sequels and God Bless America. More set-up than an actual fully-fledged movie, this nevertheless has lots to recommend it if you go with it.

Mom and Dad (2017, dir. Brian Taylor)

An electronic virus drives parents to kill their children; one family home becomes a battleground. Brisk bad taste horror-comedy that gets in and out fast. Everyone is on fine form, and there’s the best use ever of a Erasure song in the movies.

Lowlife (2017, dir. Ryan Prows)

A masked failure tries to live up to the fabled reputation of his father. LA-set black comedy crime drama, involving human organ theft, kidnapping, Luchadors and gun-toting motel owners. Not for everyone, but a confident and at times affecting violent entertainment.

Three Billboards Outside Ebbing, Missouri (2017, dir. Martin McDonagh)

A woman pursues justice for her murdered daughter. Offbeat black comedy-drama with little concession to likeability or straightforwardness. Hugely enjoyable, though, with great performances, and keeps always on the right side of quirky.

Want a second opinion? Here’s Lemonsquirtle’s.

I Don’t Feel At Home In This World Anymore (2017, dir. Macon Blair)

A timid nursing assistant teams up with a neighbour to retrieve stolen goods; matters soon get out of control. Splendid black-comedy thriller with whiffs of early Coens and some genuine surprises as matters ratchet up. Recommended.

Also, here’s xussia’s opinion.