Actor Jean Seberg struggles with her personal life, civil rights activism, and the pressures of fearing FBI surveillance. Decent biopic focusing on 1968-1970; a very solid cast and subtle direction help, even if the script doesn’t get us close to the protagonist. Lots to appreciate, not least the production design and performances.
A rebellious teen with latent psychic powers finds herself in a sinister all-girls boarding school. A well-paced 60s-set supernatural tale that does what you might expect, but with some class and style.
A group of friends are attacked in their LA home. Odd recreation of the Manson Family murders. Though technically competent, it barely stretches to an hour’s running time and does little except an extended stalk-and-slash sequence rendered pointless and tasteless by its real-life contexts.
One night at a motel on the California/Nevada border, where no-one is who they appear to be. Twisty-turny self-conscious comedy-thriller; lots of fun if you go with it, though the movie’s stately pace may frustrate some.
A modest biopic of Lyndon Johnson, focusing on his succession from Kennedy. Straightforward and sympathetic to its protagonist, with good performances from a quality cast – Richard Jenkins comes off best – and only marginally-distracting (though excellent) prosthetics.
The CIA try to hire Stanley Kubrick to fake the Apollo 11 moon landing. Weak-sauce low budget farce with a shaky grasp of space history, though with some game playing in service of a duff script and an old idea.