The Washington Post battles to source and then publish revelations about the Vietnam War. Effective journalistic thriller, which works as a prequel to All The President’s Men and as a contemporary allegory. Good performances all round, especially from Streep.
A rescue mission to a second island – where the original film’s dinosaurs were engineered – goes awry. Patchy sequel to the original, stronger on set-pieces than on logic or story, with borrowings from a dozen monster movies.
After a bureaucratic foul-up leaves him stateless, a man is forced to live in an airport terminal. Well-directed comedy-drama which starts brilliantly and then gets bogged down in sub-plots and a shift from existential malaise to schmaltz.
A dead pilot returns to allow his former partner to move on with her life. A patchy and sentimental piece (remaking 1943’s A Guy Named Joe), happier in its flying, comic and firefighting action sequences than with the emotional scenes; some pleasures to be had, tho.
Jones goes in search of his lost father, and the Holy Grail. The third Jones adventure is a sparkling comedy with heaps of good set-pieces and a tongue-in-cheek sensibility. Some iffy early CG and plotting aside, this is rip-roaring stuff, though the lightest in the series.
Classic Sci-Fi re-imagining with stunning VFX but clunky narrative. Tom Cruise plays ‘overwhelmed’ well, but the film is hindered by disjointed modernising of the plot and some stitched in, though well realised, action set pieces. Worth an Ooh laa!
An American archaeologist races Nazis to a mystical artefact. Peerless action-adventure, expertly balancing thrills, romance, danger, comic moments, old-school stunt work and still-impressive visual effects. Still the state of this particular art.