Is That Black Enough for You?!? (2022, dir. Elvis Mitchell)

A history of Black representation in US cinema, with a focus on the 1970s. An excellent and detailed chronological overview. Lots to think about here, and fresh light on relative obscurities offered. Clips and interviews galore. Recommended.

Here’s the trailer.

Dune: Chapter One (2021, dir. Denis Villeneuve)

A desert planet with a fabled resource is given new custodians: a messiah figure may be among them. Impressive if slightly po-faced partial adaptation (Part Two is to come) of the Frank Herbert allegorical SF classic. Takes its time: the pacing is televisual rather than cinematic. However, it looks great, and a good cast plays to their strengths.

Here’s the trailer. And here’s another view.

Dune (2021, Dir. Denis Villeneuve)

A spectacular new version of the Frank Herbert novel. The planet Dune is the source of Spice – a substance with profound properties and insatiable galactic value. As a new regime assumes control over spice production, they find themselves under attack from all sides as they discover the secrets of their new world.

Spider-Man: Far From Home (2019, dir. Jon Watts)

Peter Parker, on a European school trip with his classmates, comes into contact with both elemental monsters and a new superhero, Mysterio. Upbeat if overlong blend of teen road trip comedy and standard heroic action thrills, acting as a coda to Avengers: Endgame. Well-played and likeable, if episodic on several levels.

The Greatest Showman (2017, dir. Michael Gracey)

A musical about showman PT Barnum. That rarest of things these days – an original live-action movie musical. You’ll either love it or hate it, that’s for sure. Good-looking and well made, but goes for the simple and easy trick every time. Eyes and teeth!