Seberg (2019, dir. Benedict Andrews)

Actor Jean Seberg struggles with her personal life, civil rights activism, and the pressures of fearing FBI surveillance. Decent biopic focusing on 1968-1970; a very solid cast and subtle direction help, even if the script doesn’t get us close to the protagonist. Lots to appreciate, not least the production design and performances.

Joker (2019, dir. Todd Phillips)

A clown with mental health issues tries to be loved and recognised. Well-shot but superficial origin story, heavily reliant on its stylistic and plot inspirations (early Scorsese movies, Bernhard Goetz). Sometimes impressive, sometimes misguided, but anchored by a committed central performance nevertheless.

Deadpool 2 (2018, dir. David Leitch)

After the death of his girlfriend, Deadpool finds redemption in protecting a young mutant. Confident sequel with the same approach as before, mixing cartoony violence, baroque language and metatextual gags.