Mismatched brothers kidnap a paramedic and her cop patient as part of an LA heist getaway. A superior slice of Bayhem (remaking the 2005 Danish flick of the same name) that’s dumb as rocks, but gleeful and propulsive. An impressive commitment to vehicular destruction, and it looks great throughout. Jake Gyllenhaal clearly has a blast.
A computer games designer discovers he’s in a simulation. Meta belated sequel with some fun ideas about reboots, too much clumsy cod philosophy, and plenty of decent performances. However, poor action staging, awkward recasting of key roles, and weak storytelling undo good intentions.
A troubled artist invokes an urban legend. Both a direct sequel and a reboot to the minor 90s classic (while borrowing also from the David Cronenberg version of The Fly), this version has effective visuals and strong gore moments, but isn’t remotely scary. A problem for a genre pic, its good intentions notwithstanding.
Mr. Anderson once again suffers reality confusion in this complex sequel. Less bible and message laden than some of the others, this refocuses things with a new deeply meta twist. Though a tad bloated and with little new to say, this still manages to be visually compelling.
Aquaman/Arthur Curry reluctantly agrees to help prevent a war between the Atlanteans and humanity. Glossy and fun – though overlong and CG-tastic – superhero origin flick. Ugly greenscreen cinematography gets in the way of some decent performances and Wan’s capable direction.