John McClane intervenes to stop mercenaries from freeing a high-value prisoner from a snowbound airport. Messy serio-comic sequel that bends over backwards to link itself to the first film. It scrapes by on residual goodwill from its predecessor, but that’s about it.
A trio of disgraced academics working on the paranormal turn to the private sector. Still-effective horror-comedy balancing New York snark, slapstick, and Lovecraftian interdimensional terror. Great city cinematography, and some lovely delicate moments to counterbalance the widescreen mayhem. Both sequel and reboot followed.