In 2018, Michael’s rampage continues: events have links to forty years earlier. The middle part of the new trilogy suffers from a need to keep its leads safe for part three. As a result, there’s little plot: effective and plentiful kills, fan service, and nods to survivor guilt and mob mentality don’t a complete movie make.
The purge extended in near-future Texas, a group makes a run for the Mexico border, pursued by murderous vigilantes. While a few changes are rung in the dystopian franchise‘s fifth outing, it lacks the focus of earlier, better instalments, and descends into well-meaning preachiness at times.
A young woman leads a party recceing a remote long-abandoned mine being protected by locals. Very straightforward horror flick, uncertain what to do with its premise: not great at all. A decent lead performance helps, though, and old hand Will Patton offers world-weary grizzled support.
An estranged father and son are forced to work together when a drug deal goes wrong. Smart, lean all-in-one-day indie thriller with as keen a focus on character and relationships as on the narrative’s spiralling complications. Lots to appreciate and enjoy; recommended. Great to see Will Patton in a leading role too.
40 years later, Michael Myers escapes to track down Laurie Strode again. Decent-enough and respectful series reboot (ignoring all the sequels), albeit one which feels too restrained. Some awkward storytelling doesn’t help either, one lovely moment and one great child actor aside.
A crack team of misfit oil drillers is sent into space to blow up an asteroid on a collision course with Earth. Bombastic basic training/mission action flick with some comic moments and all of the director’s penchant for wearying excess when unrestrained.