See How They Run (2022, dir. Tom George)

A murder occurs during a performance of The Mousetrap: an investigation begins. Ever-so-slightly pleased with itself mashup of allsorts – The Real Inspector Hound, Noises Off, Agatha Christie, even a Brian de Palma moment or two – that’s nevertheless brisk, funny, well-played, and looks great.

Here’s the trailer.

Urban Legends: Final Cut [AKA Urban Legend 2; Urban Legends: The Final Cut] (2000, dir. John Ottman)

A serial killer stalks a group of film students. Tenuous (and only vaguely urban legend-ish) sequel that has fun moments and a couple of neat movie shout-outs, but which is unscary, not gory, is illogical, and has few characters to root for. The whodunnit angle gets lost in the process. A third movie followed.

Here’s the trailer.

Urban Legend (1998, dir. Jamie Blanks)

A serial killer stalks a campus, the killings inspired by urban legends. Generally satisfactory self-aware post-Scream whodunnit/slasher hybrid with pretensions to John Carpenter, though light on scares and grue, and clumsy in terms of representation. Fun support from stalwarts Robert Englund, Brad Dourif and Julian Ritchings helps. Two sequels followed.

Here’s the trailer.

Sorority Row (2009, dir. Stewart Hendler)

Eight months after the prank-related killing of a fellow student, those involved are each targeted for murder. Glossy loose remake of The House on Sorority Row, with a focus as much on hotties and hunks as much as the at-times inventive deaths and whodunnit stuff. Carrie Fisher is fun in support.

Here’s the trailer.

The Town That Dreaded Sundown (2014, dir. Alfonso Gomez-Rejon)

A serial killer re-enacts the true-life killings immortalised in a 70s drive-in movie. Well-directed horror flick with a neat premise (the 1976 film of the same name features throughout) and a decent cast of character actors, though the whodunnit climax is underwhelming.