A brother and sister, on the run from their vengeful uncle, cross paths with both Pat Garrett and Billy The Kid. Deliberately-paced Western focusing on character playing, landscape, and on actorly performances as much as on its narrative approach to an oft-told bit of genre history.
Over a decade has passed since the events of the TV series, and Swearengen, Bullock and others have to face up to their pasts and their futures. Elegaic return to a splendid unfinished TV show that does the original justice. Recommended.
A posse chases a vengeful ex-soldier across famine-torn Ireland. Vivid and evocative revenge drama, using Western genre tropes to support a specific Irish story with contemporary wider relevance. Some unnecessary and iffy CG mattes aside, this is great stuff.
Six tales of the Old West, each taller than the last. Splendid Western anthology, packed full of quirky moments and character actors, with a few stars plainly having fun. Not exactly commercial, though; Netflix is a good home for this Coen brothers confection.
An embittered US Army veteran is given the task of repatriating a dying Cheyenne chief. Handsome, sombre and occasionally po-faced Western with a straightforward message. Good performances, though not quite the epic it wants to be.
Three brothers arrive in a Western town dominated by a woman with a gang of forty hired guns. Splendid revision of aspects of the story of the OK Corral gunfight, with a strong female presence and a focus on the possibilities of widescreen visual storytelling.
After stumbling across the proceeds from a drug deal gone wrong, a Vietnam veteran is pursued by an implacable hitman. Astonishing thriller about violence, randomness and fate, which works also as a contemporary (it’s set in 1980) borderlands Western.