The Gift (2015, dir. Joel Edgerton)

A seemingly perfect couple’s new life in California is corrupted by a schoolmate of the husband. A superior psychological thriller, with writer-director-star Edgerton capably balancing both genre expectations and fresh ideas. Much to appreciate, and to make Edgerton one to watch.

Parker (2013, dir. Taylor Hackford)

A double-crossed professional thief tracks down the men who left him for dead. It starts well, but Parker loses its way in comic asides, unfocused subplots and a lack of narrative throughline; a disappointment from this director that doesn’t do justice to the Donald E Westlake source material.