A spoiled child takes out a contract on Santa, who is struggling with responsibilities and finances. Odd black comedy mix of action, fantasy and character study that works if you go with it, though not for all. Still, it’s well-made, with plenty of interesting ideas, and not self-conscious about its cult potential.
An Appalachian pastor’s daughter hides her secret from her father. Excellent, unsentimental slow-burn drama with thriller elements. Slightly starry casting is initially distracting, but this is structured impressively, looks great, and works hard to not judge. Recommended.
A disparate collection of human killers find themselves prey in an alien game reserve. Efficient series reboot that rings enough engages initially to distinguish itself from the 1987 original, though by the end defaults to remake rather than continuation setting. The best of the sequels though.
A bike courier/heiress follows clues left by her missing father to a forbidden tomb. OK series reboot with plenty of action, chases and the usual set-piece puzzle lair supernatural finale. Nothing new, but competently done, with a good central performance.
Thomas and friends mount a rescue mission. Third and last of the OK YA dystopian franchise. It doesn’t make much plot sense, but the action is capably handled, production design is good, and there’s a refreshing physicality to proceedings. For series fans only tho.