Two low-level drug dealers find themselves in a new state, working for a new boss. Low-key, novelistic drama (adapted from the John Brandon book) with thriller elements. Its gentle pace and lack of narrative drive may infuriate some, but there’s plenty to appreciate if you go with it.
Actor Jean Seberg struggles with her personal life, civil rights activism, and the pressures of fearing FBI surveillance. Decent biopic focusing on 1968-1970; a very solid cast and subtle direction help, even if the script doesn’t get us close to the protagonist. Lots to appreciate, not least the production design and performances.
Two suspended detectives needing money plan to hijack the proceeds of a crime. Slow-burn minimalist neo-noir procedural thriller that takes time with its characters, allowing you to understand – if not agree with – their actions. Long, but enthralling, and brutal at times. Recommended.
Almost shot-for-shot remake of the 1960 Hitchcock classic of the same name. An odd thing to attempt, and one which flags up the uniqueness of the original, despite (and maybe because of) a solid cast and respectful treatment of the first movie.
A rescue mission to a second island – where the original film’s dinosaurs were engineered – goes awry. Patchy sequel to the original, stronger on set-pieces than on logic or story, with borrowings from a dozen monster movies.
A mechanic turned drug mule has to battle the prison system to save his pregnant wife from the dealers he owes. Slow-paced but inexorable, this crime drama/horror mash-up isn’t for everyone, but is both brilliant and brutal if you can go with it.